Classical Music (Baroque) Sheet Music for Mixed Choir (SATB) and Piano

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

Pachelbel's Canon arranged for SATB and Piano (Organ) by Noel Goemanne.

Starting with an understated first verse then moving into the "bell" section over the melody in the second verse and concluding with a triumphant ending. A great closer for your Christmas program.

Art Thou Troubled' ist ein Lied, das die heilenden Kräfte der Musik anpreist. So ist sie der 'Quell der Freude' und wird alle 'Traurigkeit heilen', da sie uns mit 'göttlicher Stimme' ruft. Die lieblic...

Handel 's Hercules, edited by Peter Jones is available here as a Vocal Score. With a libretto by Thomas Broughton, this version was composed in 1744 with its first performance the following year at th...

Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...

Urtext of the New Bach Edition. (score = BA5001-01). Soprano solo (2), Asolo, Tenor solo, Bass solo, Mixed choir-SSAATTBB, Orchestra, Basso continuo - Piano reduction

The edition of the Mass in B minor as part of the New Bach Edition was and is the standard for generations of musicians. The first volume of the revised new edition now presented by Uwe Wolf offers mu...

In the late 17th century, English musicians celebrated St. Cecilia as the patron saint of music with special concerts and church services every year on November 22. Handel revived the tradition of the...

The two poems by John Milton L'Allegro (Cheerfulness) and Il Pensieroso (Melancholy) describe the contrasts between these two moods. Charles Jennens used them to create a libretto, supplemented by the...

The cantata Wie schön leuchtet der Morgenstern BWV 1 has become somewhat famous: With it, Bach's ambitious project of a choral cantata year came to an abrupt end on March 25, 1725 after around nine mo...

Bach composed "Ach Gott, vom Himmel sieh darein" BWV 2 for the 2nd Sunday after Trinity in 1724 as the second cantata of the choral cantata year. It is based on Martin Luther's rewriting of the 12th P...

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The cantata Christ unser Herr zum Jordan kam BWV 7 for St. John's Day (24.6.) 1724 is the third cantata of the choral cantata year begun on the 1st Sunday after Trinity (11.6.1724). It is based on Mar...

The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...

Kantate für den 6. Sonntag nach Trinitatis. Soli SATB, Coro SATB, Fl, Obda, 2 Vl, Va, Bc.