Classical Music (Baroque) Sheet Music for Mixed Choir (SATB)

in combination with the 10th verse of the chorale "Why Are You Sad, My Heart" (anonymous, 16th century)

Coro SATB, [4 Instr, Cb, Org]

Of Eberlin's 56 known masses to date, this "Missa in C" is the shortest. Characterized by its ornate setting and ease of performance, the work is characterized as a mass for everyday use, which was in...

This arrangement of Dido's Lament was written for the funeral of the composer's friend Frank Campbell. As Frank was such an accomplished pianist, no keyboard music was included in the service in defer...

This, the first of Handel's four Coronation Anthems, has been a cherished part of crowning British royalty from George II in 1727 to the current sovereign, Charles III. Commemorate the grand occasion...

Handel's famous "Water Music" becomes a spirited holiday fanfare with the addition of a celebratory Christmas text. Buoyant vocal parts, traditional choral writing, and the jaunty hornpipe feel are a...

> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Welcome comeback Bach's St John and St. Matthew Passion...

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

Written in 1727 for a "speech of praise and mourning" for Electress Christiane Eberhardine in Leipzig's university church, the music of the Trauerode is known today primarily through reconstructions o...

Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as contemporary accounts and the surviving remnants of his music library attest. However, the copies he made for performances...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...