Classical Music (Baroque) Sheet Music for Mixed Choir (SATB)

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...

The opera “Dido and Aeneas”, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcel...

Les Boréades was actually intended to be performed at the Théâtre de Choisy in Paris in 1763 at the end of the Seven Years' War to celebrate the conclusion of peace. However, after two rehearsals with...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

It tells the love story between Fatima, who is accused of murdering her father, and the king's son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of...

The St. Matthew Passion of 1758 exemplifies various aspects of Georg Philipp Telemann's late Passion work: his changing recitative style in the 1750s, the sometimes considerable shortening of the Gosp...

The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

Released to coincide with the 300th anniversary of the work’s premiere, the choral score of Bach’s St. Matthew Passion BWV 244 provides choral singers with a lightweight and practical edition that con...

Die Kantate Lobet, ihr Himmel, den Herrn ist für den Himmelfahrtstag bestimmt und entstanden. Ein konkretes Entstehungsdatum ist nicht erhalten, durch die modernere Streicherbesetzung mit nur einer Vi...

Die Kantate Lobet, ihr Himmel, den Herrn ist für den Himmelfahrtstag bestimmt und entstanden. Ein konkretes Entstehungsdatum ist nicht erhalten, durch die modernere Streicherbesetzung mit nur einer Vi...

The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...

The new edition of the "Indes galantes" within the "Opera Omnia Rameau" (OOR IV.2, 7) restores in the main part of the score the version as authorized by Rameau in 1736. This fundamental editorial dec...

Opéra comique in two acts (1760) Libretto: Louis Anseaume (for Jean-Louis Laruette's opéra comique "L'ivrogne corrigé ou Le mariage du diable" of 1759; adapted by Charles Simon Favart) (French) Premie...

The Gloria in D RV 589 is Vivaldi's best-known sacred work and is one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717...

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...

Henry Purcell 's 'Sound The Trumpet! Beat The Drum!' is a work for CtCtTTBB Soli, SATB Chorus, Continuo and Strings. This piece is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs...

Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...

Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...