Classical Music (Baroque) Sheet Music for Orchestra
It would be hard to imagine today’s concert repertoire without the harpsichord concertos of Johann Sebastian Bach. It is not known whether the A-major Concerto BWV 1055, like some of the other harpsic...
It would be hard to imagine today’s concert repertoire without the harpsichord concertos of Johann Sebastian Bach. It is not known whether the A-major Concerto BWV 1055, like some of the other harpsic...
- Harpsichord and Orchestra
- Set of Parts - String Instruments (Urtext)
- G. Henle Verlag
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for cor anglais and large orchestra (durata: 17'), first edition edited and reconstructed by Michel Rosset. An impressive rediscovery. Although he has been forgotten, Gustave Vogt is the quintessentia...
for cor anglais and large orchestra (durata: 17'), first edition edited and reconstructed by Michel Rosset. An impressive rediscovery. Although he has been forgotten, Gustave Vogt is the quintessentia...
- English Horn and Orchestra
- Score
- Edition Walhall
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Bach's harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument - either violin or a woodwind instrument. But we know nothin...
Bach's harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument - either violin or a woodwind instrument. But we know nothin...
- Harpsichord and Orchestra
- Piano reduction (Urtext)
- G. Henle Verlag
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Imeneo was performed for the first time on November 22, 1740 at the theater in Lincoln's Inn Field in London; a second performance took place on December 13, 1740. In contrast to the variety of events...
Imeneo was performed for the first time on November 22, 1740 at the theater in Lincoln's Inn Field in London; a second performance took place on December 13, 1740. In contrast to the variety of events...
- Soloists (SSABB) and Orchestra
- Piano reduction Download (Urtext)
- Michael Pacholke
- Bärenreiter Verlag
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Richer than ever - Rameau's 'Zoroastre' in the version of 1756 Rameau's revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...
Richer than ever - Rameau's 'Zoroastre' in the version of 1756 Rameau's revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...
- Soloists, Choir and Orchestra
- Piano Reduction (Urtext)
- François Saint-Yves
- Bärenreiter Verlag
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Vedro con mio diletto (Il Giustino,Rome - Carnaval 1724) Orchestre et chant, matériel d'orchestre. Cette émouvante sarabande, qui partage son thème avec le mouvement lent du concerto pour violon RV 38...
Vedro con mio diletto (Il Giustino,Rome - Carnaval 1724) Orchestre et chant, matériel d'orchestre. Cette émouvante sarabande, qui partage son thème avec le mouvement lent du concerto pour violon RV 38...
- High Voice and Orchestra
- Score and Parts
- Musiques Buissonnieres
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- Soloists (SSAT) and Orchestra
- Piano Reduction
- UT Orpheus Edizioni
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From the beginning of 1703 throughout the whole duration of his residency in Rome (prolonged until the end of 1708, with the exception of the Venetian visit), the composition of oratorios was one of t...
From the beginning of 1703 throughout the whole duration of his residency in Rome (prolonged until the end of 1708, with the exception of the Venetian visit), the composition of oratorios was one of t...
- Soloists (SSATB) and Orchestra
- Piano Reduction
- UT Orpheus Edizioni
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Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauffü...
Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauffü...
- Choir, Soloists and Orchestra
- Piano Reduction
- Breitkopf & Härtel
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SILETE VENTI, HWV 242 (BE SILENT, WINDS) is a Latin motet by George Frideric Handel (1685-1759) The uncertain date of its composition has provoked much debate, although careful study of the work sugge...
SILETE VENTI, HWV 242 (BE SILENT, WINDS) is a Latin motet by George Frideric Handel (1685-1759) The uncertain date of its composition has provoked much debate, although careful study of the work sugge...
- High Voice and Orchestra
- Score and Parts
- Friedrich Chrysander Max Seiffert
- Edwin F. Kalmus
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Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauff...
Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauff...
- Choir, Soloists and Orchestra
- Score
- Breitkopf & Härtel
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Based on the Urtext of the "Halle Handel Edition" Bilingual Foreword (Ger/Eng) Includes the version of the premiere as well as two further performable versions Practical, easy-to-play piano reduction...
Based on the Urtext of the "Halle Handel Edition" Bilingual Foreword (Ger/Eng) Includes the version of the premiere as well as two further performable versions Practical, easy-to-play piano reduction...
- Soloists, Mixed Choir and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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The episode from Ovid's 'Metamorphoses' in which Daphne attempts to escape Apollo's advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, h...
The episode from Ovid's 'Metamorphoses' in which Daphne attempts to escape Apollo's advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, h...
- Soloists and Orchestra
- Piano Reduction (Urtext)
- Christopher Sokolowski
- Bärenreiter Verlag
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Amongst Rameau’s stage works which have come down to us in two main versions, such as “Dardanus“ (1739, 1744), “Platée“ (1745, 1749) and “Zoroastre“ (1749, 1756), none fell into oblivion for as long a...
Amongst Rameau’s stage works which have come down to us in two main versions, such as “Dardanus“ (1739, 1744), “Platée“ (1745, 1749) and “Zoroastre“ (1749, 1756), none fell into oblivion for as long a...
- Voice, mixed Choir and Orchestra
- Piano Reduction
- François Saint-Yves
- Bärenreiter Verlag
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- Soloists and Orchestra
- Piano Reduction
- UT Orpheus Edizioni
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Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
- Mixed Choir (SSATB) and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel
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Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
- Mixed Choir (STTTB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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- Soloists, Mixed Choir and Orchestra
- Score
- Breitkopf & Härtel
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
- Mixed Choir (STTTB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...
In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...
- Soloists, Mixed Choir and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs René Jacobs
- Bärenreiter Verlag
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Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...
Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...
- Mixed Choir (SSAATBB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...
Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...
- Mixed Choir (SAATBB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 172...
Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 172...
- Mixed Choir (SSAATBB) and Orchestra
- Score (Urtext)
- Carus-Verlag
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Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 172...
Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 172...
- Mixed Choir (SAATB) and Orchestra
- Score (Urtext)
- Carus-Verlag
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- Also available for download!