Classical Music (Baroque) Sheet Music for Soloists, 2 Violins and Continuo
The Gloria in D RV 589 is Vivaldi's best-known sacred work and one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717 for...
The Gloria in D RV 589 is Vivaldi's best-known sacred work and one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717 for...
- Soloists (SSA), Mixed Choir (SATB), Oboe, Trumpet, 2 Violins, Viola and Continuo
- Piano Reduction
- Paul Horn
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What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...
What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...
- Soloists (SAATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Basso continuo
- Piano Reduction
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Das Gloria in D RV 589 ist das bekannteste geistliche Werk Vivaldis und gehört zu seinen bedeutendsten kirchenmusikalischen Kompositionen. Es ist als selbstständiger Einzelsatz vermutlich zwischen 171...
Das Gloria in D RV 589 ist das bekannteste geistliche Werk Vivaldis und gehört zu seinen bedeutendsten kirchenmusikalischen Kompositionen. Es ist als selbstständiger Einzelsatz vermutlich zwischen 171...
- Soloists (SSA), Mixed Choir (SATB), Oboe, Trumpet, 2 Violins, Viola and Continuo
- Score
- Paul Horn
- Carus-Verlag
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Die „Passio per il Venerdi Santo“, eine Passionsvertonung zum Karfreitag auf den Text des Evangelisten Johannes, von Gaetano Veneziano (1656–1716) aus dem Jahr 1702 darf als ein zentrales Werk dieses...
Die „Passio per il Venerdi Santo“, eine Passionsvertonung zum Karfreitag auf den Text des Evangelisten Johannes, von Gaetano Veneziano (1656–1716) aus dem Jahr 1702 darf als ein zentrales Werk dieses...
- Soloists, Mixed Choir, 2 Violins, Viola and Basso continuo
- Score
- Ortus Musikverlag
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Die „Passio per il Venerdi Santo“, eine Passionsvertonung zum Karfreitag auf den Text des Evangelisten Johannes, von Gaetano Veneziano (1656–1716) aus dem Jahr 1702 darf als ein zentrales Werk dieses...
Die „Passio per il Venerdi Santo“, eine Passionsvertonung zum Karfreitag auf den Text des Evangelisten Johannes, von Gaetano Veneziano (1656–1716) aus dem Jahr 1702 darf als ein zentrales Werk dieses...
- Soloists, Mixed Choir, 2 Violins, Viola and Basso continuo
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- Ortus Musikverlag
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In 1738 Georg Frideric Handel penned 'Il Xerse' which was to be his last as well as his most famous opera. However in truth, Handel’s opera is nothing other than the final chapter in the history of a...
In 1738 Georg Frideric Handel penned 'Il Xerse' which was to be his last as well as his most famous opera. However in truth, Handel’s opera is nothing other than the final chapter in the history of a...
- Soloists (SSSSSAAAATTBBB), Mixed Choir (SATB), 2 Violins and Continuo
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- Bärenreiter Verlag
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Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...
Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...
- Soloists (SSA), Mixed Choir (SATB), 2 Violins, Viola and Basso continuo
- Choral Score (Urtext)
- Symphonic Dimensions Publishing
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Score (Urtext)
- Carus-Verlag
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Piano Reduction (Urtext)
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The office as a priest and the long years as musical director of the Ospedale della Pietà (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The M...
The office as a priest and the long years as musical director of the Ospedale della Pietà (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The M...
- Solo (SSAT), Mixed Choir (SATB), 2 Oboes, 2 Violins, Viola and Basso Continuo
- Piano Reduction (Urtext)
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What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...
What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...
- Soloists (SAATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Basso continuo
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> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...
> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...
- Soloists (SATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...
> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...
- Soloists (SATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, Viola and Continuo
- Score (Urtext)
- Bärenreiter Verlag
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Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
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The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...
The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...
- Soloists (ATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Bärenreiter Verlag
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> Urtext edition based on the Halle Handel Edition > Includes a singing translation in German > Extensive bilingual Foreword (Ger/Eng) > Idiomatic uncluttered piano reductionHandel's Agrippina HWV 6...
> Urtext edition based on the Halle Handel Edition > Includes a singing translation in German > Extensive bilingual Foreword (Ger/Eng) > Idiomatic uncluttered piano reductionHandel's Agrippina HWV 6...
- Soloists (SAB), 2 Oboes, 2 Trumpets, Timpani, 3 Violins, Viola, 2 Cellos, Double Bass, Harpsichord and Continuo
- Piano Reduction (Urtext)
- Andreas Köhs
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Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
- Solo (SSATB), Mixed Choir (SSATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Basso Continuo
- Piano Reduction (Urtext)
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Score (Urtext)
- Bärenreiter Verlag
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- Soloists (SA), 2 Violins and Continuo
- Sheet Music
- Éditions musicales Rubin
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Francesco Cavalli's "Xerse" (Venice 1655) was one of the most successful operas of the 17th century. Among its numerous revivals, the one for the Parisian court on the occasion of the wedding celebrat...
Francesco Cavalli's "Xerse" (Venice 1655) was one of the most successful operas of the 17th century. Among its numerous revivals, the one for the Parisian court on the occasion of the wedding celebrat...
- Soloists, Choir, 2 Violins and Continuo
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- Bärenreiter Verlag
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Mit diesem Frühwerk, das Hasse als Schüler Alessandro Scarlattis noch ganz unter dessen Einfluss komponierte und das im September 1725 auf dem Landsitz des königlichen Rates Carlo Carmignano aufgeführ...
Mit diesem Frühwerk, das Hasse als Schüler Alessandro Scarlattis noch ganz unter dessen Einfluss komponierte und das im September 1725 auf dem Landsitz des königlichen Rates Carlo Carmignano aufgeführ...
- Soloists (SS), 2 Violins, Viola and Basso continuo
- Piano Reduction Download
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Venetian version The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl'Incurabili in Venice. As this was a musical training center for talented girls and young women, the vocal pa...
Venetian version The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl'Incurabili in Venice. As this was a musical training center for talented girls and young women, the vocal pa...
- Soloists, Women's Choir (SSAA), 2 Violins, Viola and Continuo
- Score Download
- Carus-Verlag
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Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
- Soloists (STB), Flute, 2 Violins, Viola and Continuo
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