Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir and Orchestra

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text...

Handel’s “Semele”, which premiered in February 1744, is based on an adapted version of William Congreve’s opera libretto titled “The Story of Semele”, originally published in 1706. However, neither Ha...

Based on the Urtext of the "Halle Handel Edition" Bilingual Foreword (Ger/Eng) Includes the version of the premiere as well as two further performable versions Practical, easy-to-play piano reduction...

The Acte de ballet "Zéphire" was never performed during the lifetime of its authors, although the autograph manuscript shows traces that Rameau worked on it several times between 1748 and 1759 – possi...

Drame lyrique in three acts and a prologue (1779) Libretto: Louis-Théodore Baron de Tschudi (after "Narcissos ed Eco" from Ovid's Metamorfosi) (French) Premiere: September 24, 1779, Paris, Opéra (Pala...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The performance material is derived from the scholarly-critical editions of the 'Das Erbe deutscher Musik'' series, on which the informative Preface and Critical Report were based.

Johann Sebastian Bach (1685-1750) composed his CANTATA NN. 29: WIR DANKEN DIR, GOTT, WIR DANKEN DIR (WE THANK YOU, GOD, WE THANK YOU), BWV 29 for the installation of the new Leipzig town council in 17...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

In Georg Philipp Telemann's Orpheus opera, the focus is not on Eurydice but on Queen Orasia, who is in mad but unrequited love with the legendary singer. The first documented performance of the work t...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

“Les Boréades", edited by Sylvie Bouissou, the project leader of the Rameau Complete Edition and a central figure in international Rameau research, is a milestone – at last this exceptional work is ac...

The opera "Dido and Aeneas", a retelling of the well-known story from Book IV of Virgil's Aeneid, has established itself as an audience favorite. It owes this to the skill of its composer Henry Purcel...

Agostino Steffani's “Henrico Leone” is a work that stands out in the history of opera at the end of the 17th century due to the confluence of very different factors. The world premiere marked the inau...

Actually, "Les Boréades" was supposed to be performed in 1763 at the Théâtre de Choisy in Paris after the end of the Seven Years' War on the occasion of the celebrations of the peace treaty. But after...

Les Boréades was actually intended to be performed at the Théâtre de Choisy in Paris in 1763 at the end of the Seven Years' War to celebrate the conclusion of peace. However, after two rehearsals with...

Nach 'Hippolyte et Aricie' und 'Castor et Pollux' ist 'Dardanus' Rameaus dritte Tragédie lyrique für Paris. Mit ihrer vielgestaltigen Musik ist sie ein absoluter Höhepunkt dieser Gattung. Die Handlung...

It tells the love story between Fatime, accused of murdering her father, and the king's son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of Castile...

BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...

Continuo-Aussetzung: Andreas Köhs

The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...

Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...