Classical Sheet Music for Recorder

Discover a delightful chamber music gem with the "Trio in B-flat major Wq 85", masterfully scored for three alto recorders (AAA). Published by the renowned Amadeus Verlag, this high-quality sheet musi...

Discover the masterful sound world of the Baroque era with the second volume of the "6 Sonatas for 2 Alto Recorders without Bass" by Georg Philipp Telemann! Published by the renowned Amadeus Verlag, t...

The recorder sonatas are repertoire: they combine instrumental ductus with a balanced alternation of cantabile and figurative themes that serves pedagogical purposes.

The recorder sonatas are repertoire: they combine instrumental ductus with a balanced alternation of cantabile and figurative themes that serves pedagogical purposes.

The sonatas are part of the repertoire of all students. Harmonically and formally always varied and exciting, these 'gems' of chamber music enjoy lasting popularity.

The sonatas are part of the repertoire of all students. Harmonically and formally always varied and exciting, these 'gems' of chamber music enjoy lasting popularity.

The sonatas are part of the repertoire of all students. Harmonically and formally always varied and exciting, these 'gems' of chamber music enjoy lasting popularity.

The sonatas are part of the repertoire of all students. Harmonically and formally always varied and exciting, these 'gems' of chamber music enjoy lasting popularity.

Sonata I: G major; Sonata II: d minor; Sonata III: a minor

Sonata IV: C major; Sonata V: B flat major, Sonata VI: C major

Sonata VII: g minor; Sonata VIII: F major; Sonata IX: g minor

Sonata X: F major; Sonata XI: f minor; Sonata XII: a minor

Discover the finest baroque soundscapes: The "6 Suites Op. 35 Volume I: Suites 1–3" offer a captivating musical experience for alto (treble) recorder and basso continuo. The masterly compositional dep...

Immerse yourself in the noble soundscape of the Baroque era with the second volume of the 6 Suites, Op. 35. The extraordinary compositional ambition and stylistic refinement inherent in these works ar...

When Corelli published his sonatas in Rome on January 1, 1700, it was a century-long event: no wonder that the violin sonatas on their triumphal march through Europe immediately appeared in London in...

The 3 sonatas are part of a vielle-sonata-convolute, whose discant 'makes do' with one melody line: thanks to their ideal range, they are ideally suited for playing on the alto recorder.

Sonata I: D major, II: G major, III: B flat major, IV: g minor

Sonata V: e minor, VI: B major, VII: a minor, VIII: e minor

Sonata IX: F major, X: B major, XI: C major, XII: F major

The high esteem in which Telemann held this cycle is evidenced by a printing privilege he sought in Paris in 1737, '... to engrave in copper 6 sonatas consisting entirely of melodic canons'.

The operas 1 to 6 form a rich palette of about 60 solo, trio and quadro sonatas, which, because they are easy to perform and enjoy playing, are highly suitable for didactic purposes as an introduction...

The operas 1 to 6 form a rich palette of about 60 solo, trio and quadro sonatas, which, because they are easy to perform and enjoy playing, are highly suitable for didactic purposes as an introduction...