Classical Sheet Music

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

We publish in this collection the villancicos and cantatas al Santísimo by Francisco Corselli (1705-1778), chapelmaster of the Royal Chapel of Madrid. Each volume includes cantatas for a solo voice -s...

Gabriel Urbaine Fauré (1845-1924) was one of the foremost French composers of his generation, and his musical style influenced many composers in the 20th century. In 1881, Fauré composed the Messe des...

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

> Choral score based on the Urtext of the series 'Works of Gioachino Rossini' > Supplements the already existing material available to this work The 'Petite Messe solennelle' is the finest work of Ros...

The "Petite Messe solennelle" is a very late work by Rossini. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the inauguration of her private...

Sämtliche Vokalwerke, Band 10.

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...

Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...