Classical Sheet Music

> First modern Urtext edition > The appendix contains an eleventh chorale prelude - published for the first time > Most of them can also be played by amateur pianists Alongside the Chaconne for violin...

The French Bach cult, which began in the early 19th century, reached an initial highpoint around 1850. Charles Gounod, still largely unknown at the time, also studied Bach's works intensively - his ch...

Easy arrangement: Hans Günter Heumann

Twentieth-century arrangements from choral and instrumental works - Seventeen contrasting Bach transcriptions originally published separately by OUP from 1925 to 1954 - Pieces carefully selected by M...

Jules Demersseman's "Ave Maria" is a work full of gentleness, elegance, and contemplation. The French composer Jules Demersseman (1833–1866) was regarded as a major figure in 19th-century music and wa...

Jules Demersseman's "Ave Maria" is a work full of gentleness, elegance, and contemplation. The French composer Jules Demersseman (1833–1866) was regarded as a major figure in 19th-century music and wa...

Agnus Dei is a work by Georges Bizet characterized by its deeply felt, expressive, and meditative nature. The composition is based on a melody from his work "L'Arlésienne" and was later set to the Lat...

Agnus Dei is a work by Georges Bizet characterized by its deeply felt, expressive, and meditative nature. The composition is based on a melody from his work "L'Arlésienne" and was later set to the Lat...

This is an unique arrangement for oboe and piano, a work that preserves the beauty of the original work, a master piece for sacred music, but at the same time different in essence due to the creative...

Introduce your full orchestra to the baroque style and sound with this exciting new arrangement of Handel's masterpiece. The composer's original rhythms, melodies and counterpoint are all so playable...

Introduce your full orchestra to the baroque style and sound with this exciting new arrangement of Handel's masterpiece. The composer's original rhythms, melodies and counterpoint are all so playable...

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. H...

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...

Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...

Haydn's Mass in B-flat major, also known as the 'Creation Mass' was composed in 1801. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation...

Haydn's Missa in Angustiis, also known as the 'Nelson Mass', was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with The Creation and...

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...

In the last summer of his life, Franz Schubert completed the Mass in E flat D 950. The reason for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live to se...

1815 – das war ein Jahr, in dem Schubert trotz aller erdrückenden Lehrer-Pflichten unermüdlich neue Werke schuf. Neben etwa 140 neuen Liedern entstanden die zweite und die dritte Sinfonie, vier Bühnen...

Die im Juni und Juli 1816 entstandene Messe in C (D 452) ist für die Lichtentaler Kirche geschrieben und dort wohl auch zuerst aufgeführt worden, wie aus der Dedikation an den Regens chori der Kirche,...

Anders als die vier frühen Messen hat Schubert seine fünfte nicht auf einen konkreten Auftrag, für eine bestimmte Aufführung hin geschrieben – es ging ihm offensichtlich darum, mit ihr seine inzwische...

Franz Schubert's 'Stabat Mater' D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's auto...