Classical Sheet Music
- High Voice and Piano
- Sheet Music
- Armelin Musica
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- Piano and Voice
- Piano Score
- Armelin Musica
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Basierend auf dem Notentext der Bärenreiter-Klavierauszüge erscheinen drei Bände, die einige von Händels wohl bekanntesten Arien für Mezzosopran / Alt, Tenor und Bass, aber auch einige weniger bekannt...
Basierend auf dem Notentext der Bärenreiter-Klavierauszüge erscheinen drei Bände, die einige von Händels wohl bekanntesten Arien für Mezzosopran / Alt, Tenor und Bass, aber auch einige weniger bekannt...
- Piano and Voice
- Piano Reduction
- Bärenreiter Verlag
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- High Voice and Piano
- Piano Reduction
- Bärenreiter Verlag
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- Low Voice and Piano
- Piano Reduction
- Bärenreiter Verlag
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Die für diesen Band ausgewählten sechs Kammerduette für Sopran und Alt entstanden 1710-12 in Hannover (HWV 178, 185, 197) sowie 1740-45 in London (HWV 181, 190, 186). Durch ihr hohes Maß an Konsequenz...
Die für diesen Band ausgewählten sechs Kammerduette für Sopran und Alt entstanden 1710-12 in Hannover (HWV 178, 185, 197) sowie 1740-45 in London (HWV 181, 190, 186). Durch ihr hohes Maß an Konsequenz...
- High Voice, Medium Voice and Continuo
- Score and Parts (Urtext)
- Bärenreiter Verlag
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The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
- Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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ships within 2-4 working days
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The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
- Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...
> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...
- High Voice and Piano
- Piano Score (Urtext)
- Bärenreiter Verlag
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> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...
> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...
- Low Voice and Piano
- Piano Score (Urtext)
- Bärenreiter Verlag
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Handel's three-act opera 'Sosarme, Re di Media' (HWV 30) was performed for the first time in 1732 with star castrato Senesino in the title role. The plot centres on a family conflict over the successi...
Handel's three-act opera 'Sosarme, Re di Media' (HWV 30) was performed for the first time in 1732 with star castrato Senesino in the title role. The plot centres on a family conflict over the successi...
- Soloists (SAAATB) and Piano
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Handel composed his first Italian oratorio 'La Bellezza ravveduta nel trionfo del Tempo e del Disinganno' in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili w...
Handel composed his first Italian oratorio 'La Bellezza ravveduta nel trionfo del Tempo e del Disinganno' in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili w...
- Soloists (SSAT)
- Piano Reduction (Urtext)
- Christopher Sokolowski
- Bärenreiter Verlag
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The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
- High Voice and Piano
- Piano Score (Urtext)
- Bärenreiter Verlag
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The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
- High Voice and Piano
- Piano Score (Urtext) Download
- Bärenreiter Verlag
-
immediately available
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The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
- Low Voice and Piano
- Piano Score (Urtext)
- Bärenreiter Verlag
-
ships within 2-4 working days
- Also available for download!
The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...
- Low Voice and Piano
- Piano Score (Urtext) Download
- Bärenreiter Verlag
-
immediately available
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> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...
> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...
- High Voice and Piano
- Piano Score (Urtext)
- Bärenreiter Verlag
-
-
in stock
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> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...
> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...
- Low Voice and Piano
- Piano Score (Urtext)
- Bärenreiter Verlag
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The Czech composer Zdenek Fibich (1850-1900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe...
The Czech composer Zdenek Fibich (1850-1900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe...
- Piano and Voice
- Piano Score (Urtext)
- Bärenreiter Verlag
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The Missa in B flat KV 275 was written in 1777. Following the tradition of the "Missa brevis", the movements are short, and in text-rich movements such as the "Credo", different text passages are sung...
The Missa in B flat KV 275 was written in 1777. Following the tradition of the "Missa brevis", the movements are short, and in text-rich movements such as the "Credo", different text passages are sung...
- Soloists (SATB), Mixed Choir (SATB), 3 Trombones, 2 Violins, Double Bass, Bassoon and Organ
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Prince-Archbishop Hieronymus Graf von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length, a Missa solemnis with timpani and trumpets in the instrumentation....
Prince-Archbishop Hieronymus Graf von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length, a Missa solemnis with timpani and trumpets in the instrumentation....
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Prince Archbishop Hieronymus Count von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length and a Missa solemnis with timpani and trumpets. With the Missa in...
Prince Archbishop Hieronymus Count von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length and a Missa solemnis with timpani and trumpets. With the Missa in...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
-
immediately available
Download immediately after ordering - Instant download
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