Classical Sheet Music

Gabriel Urbaine Fauré (1845-1924) was one of the foremost French composers of his generation, and his musical style influenced many composers in the 20th century. In 1881, Fauré composed the Messe des...

There is hardly any reliable information about the origin of this mass, which was composed between 1773 and 1776. The title goes back to the founder of the Order of the Brothers of Mercy, St. John of...

Streicher - Spielpartitur; Urtextausgabe Chorwerke mit Orchester-Begleitung ohne Solo-Instrument - Geistlich - Gemischter Chor - 4stimmig

Besteht aus: Hohe Stimme, Melodie-Instrument, Basso continuo.

Hohe Stimme, Melodie-Instrument, Basso continuo - Partitur; Urtextausgabe

72 Solokantaten für eine Singstimme, ein Instrument und Basso continuo.

Kantanten aus dem Osterfestkreis. Mittlere Stimme, Melodie-Instrument, Basso continuo.

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

In his Missa sacra, Op. 147, the Protestant Robert Schumann included the solo offertory hymn “Tota pulchra es, Maria”, entirely in the Romantic Catholic tradition of devotion to Mary. This wonderfully...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen' (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for t...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

The office as a priest and the long years as musical director of the Ospedale della Pietà (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The M...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...

The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...

The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...

The "Petite Messe solennelle" from 1863 is Rossini's second extensive sacred composition alongside the "Stabat Mater". The mass is an occasional work, written for the inauguration of the private chape...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

Scored for SATB choir with additional wind parts by Joseph von Eybler; trombone parts added by Ignaz Xaver Ritter von Seyfried; revised by Otto Nicolai (1843). / Pergolesi’s last major composition, th...

This single edition for practical use is based on the scholarly complete edition, founded by Holger Eichhorn. While the scholarly edition uses the original clefs, the practical edition is edited in mo...