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Concert Marches for Concert Band

Concert marches for concert band are a vibrant and essential part of the repertoire, showcasing the dynamic capabilities of wind ensembles. These compositions often blend traditional march elements with contemporary harmonies and rhythms, creating an engaging listening experience. Renowned composers such as John Philip Sousa and Karl King have contributed timeless pieces that continue to resonate with audiences today. Concert marches not only highlight the technical skills of musicians but also serve as a celebration of community and spirit during performances. With their lively tempos and memorable melodies, concert marches remain a staple in concert band programs, appealing to both performers and listeners alike.
Friedrich von Flotow
for Soprano and Symphonic Band

'The Last Rose of Summer' is a poem by Irish poet Thomas Moore written in 1805 in County Kilkenny, Ireland. It is set to a traditional tune called 'Aislean an Oigfear' or 'The Young Man's Dream', whic...

'The Last Rose of Summer' is a poem by Irish poet Thomas Moore written in 1805 in County Kilkenny, Ireland. It is set to a traditional tune called 'Aislean an Oigfear' or 'The Young Man's Dream', whic...

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Friedrich von Flotow
from the opera 'Martha' for Tenor and Symphonic Band

Friedrich von Flotow (1812-1883) was a German composer who is chiefly remembered for his romantic comic opera 'Martha', which was popular in the 19th century and the early part of the 20th. The aria '...

Friedrich von Flotow (1812-1883) was a German composer who is chiefly remembered for his romantic comic opera 'Martha', which was popular in the 19th century and the early part of the 20th. The aria '...

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Friedrich von Flotow
from the opera 'Martha' for Tenor and Symphonic Band

Friedrich von Flotow (1812-1883) was a German composer who is chiefly remembered for his romantic comic opera 'Martha', which was popular in the 19th century and the early part of the 20th. The aria '...

Friedrich von Flotow (1812-1883) was a German composer who is chiefly remembered for his romantic comic opera 'Martha', which was popular in the 19th century and the early part of the 20th. The aria '...

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The 'Furioso-Polka' opus 260 is a fast polka by Johann Strauss jr. which was performed for the first time in Pavlovsk, near St. Petersburg, at a charity concert in 1861. The brilliant orchestration of...

The 'Furioso-Polka' opus 260 is a fast polka by Johann Strauss jr. which was performed for the first time in Pavlovsk, near St. Petersburg, at a charity concert in 1861. The brilliant orchestration of...

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The 'Furioso-Polka' opus 260 is a fast polka by Johann Strauss jr. which was performed for the first time in Pavlovsk, near St. Petersburg, at a charity concert in 1861. The brilliant orchestration of...

The 'Furioso-Polka' opus 260 is a fast polka by Johann Strauss jr. which was performed for the first time in Pavlovsk, near St. Petersburg, at a charity concert in 1861. The brilliant orchestration of...

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Giuseppe Verdi
from the Opera Ernani

The aria 'Infelice! e tuo credevi' is sung by Silva at the end of the first act of Giuseppe Verdi's opera 'Ernani: Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo i...

The aria 'Infelice! e tuo credevi' is sung by Silva at the end of the first act of Giuseppe Verdi's opera 'Ernani: Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo i...

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Giuseppe Verdi
from the opera Ernani

The aria 'Infelice! e tuo credevi' is sung by Silva at the end of the first act of Giuseppe Verdi's opera 'Ernani: Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo i...

The aria 'Infelice! e tuo credevi' is sung by Silva at the end of the first act of Giuseppe Verdi's opera 'Ernani: Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo i...

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Giuseppe Verdi
from the Opera Ernani

The aria "Infelice! e tuo credevi" is sung by Silva at the end of the first act of Giuseppe Verdi's opera "Ernani: Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo i...

The aria "Infelice! e tuo credevi" is sung by Silva at the end of the first act of Giuseppe Verdi's opera "Ernani: Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo i...

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Giuseppe Verdi
from the opera Ernani

The aria "Infelice! e tuo credevi" is sung by Silva at the end of the first act of Giuseppe Verdi's opera "Ernani": Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo...

The aria "Infelice! e tuo credevi" is sung by Silva at the end of the first act of Giuseppe Verdi's opera "Ernani": Silva has entered his niece and fiancee Elvira's room to find both Ernani and Carlo...

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Giacomo Puccini
from the Opera La Bohème

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

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Giacomo Puccini
from the opera La Bohème

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

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Giacomo Puccini
from the Opera La Bohème

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

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Giacomo Puccini
from the opera La Bohème

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

The aria 'Vecchia zimarra' is sung by Colline at the end of the fourth act of Puccini's opera 'La Bohème': After Mimi has collapsed on the staircase to the attic room, she is carried into the room. On...

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Giuseppe Verdi
from the Opera Simon Boccanegra for Bass, Choir (ad lib.) and Symphonic Band

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

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Giuseppe Verdi
from the opera 'Simon Boccanegra' for Bass, Choir (ad lib.) and Symphonic Band

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

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Giuseppe Verdi
from the Opera 'Simon Boccanegra' for Bass, Choir [ad lib.] and Symphonic Band

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

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Giuseppe Verdi
from the opera 'Simon Boccanegra' for Bass, Choir (ad lib.) and Symphonic Band

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

Giuseppe Verdi's opera 'Simon Boccanegra' was first in 1857. Only after a revision in 1880 with new texts by Arrigo Boito, the librettist of 'Otello', the Opera became a success and is even played now...

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Johann Strauss (Sohn)
Operetta in 3 acts

Johann Strauss" Operetta "Die Fledermaus" belongs to his finest works and is the most successful operetta ever. Even nowadays "Die Fledermaus" is performed - especially around New Year's Day - all aro...

Johann Strauss" Operetta "Die Fledermaus" belongs to his finest works and is the most successful operetta ever. Even nowadays "Die Fledermaus" is performed - especially around New Year's Day - all aro...

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Johann Strauß
Operetta in 3 acts

Johann Strauss' Operetta 'Die Fledermaus' belongs to his finest works and is the most successful operetta ever. Even nowadays 'Die Fledermaus' is performed - especially around New Year's Day - all aro...

Johann Strauss' Operetta 'Die Fledermaus' belongs to his finest works and is the most successful operetta ever. Even nowadays 'Die Fledermaus' is performed - especially around New Year's Day - all aro...

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Béla Bartók composed the 'Romanian Folk Dances' in 1915. It's a suite of six (seven) short piano pieces which he later has orchestrated for a small ensemble. It is based on seven Romanian tunes from T...

Béla Bartók composed the 'Romanian Folk Dances' in 1915. It's a suite of six (seven) short piano pieces which he later has orchestrated for a small ensemble. It is based on seven Romanian tunes from T...

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Order no.: BTM701-DL

Béla Bartók composed the 'Romanian Folk Dances' in 1915. It's a suite of six (seven) short piano pieces which he later has orchestrated for a small ensemble. It is based on seven Romanian tunes from T...

Béla Bartók composed the 'Romanian Folk Dances' in 1915. It's a suite of six (seven) short piano pieces which he later has orchestrated for a small ensemble. It is based on seven Romanian tunes from T...

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Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

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Order no.: BTM702

Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

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Order no.: BTM702-DL

Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

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Order no.: BTM702SC

Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

Johannes Brahms composed the 'Variations on a theme by Haydn' in the summer of 1873. The theme Brahms used was entitled 'Chorale St. Antoni' and attributed to the composer Joseph Haydn. But subsequent...

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Order no.: BTM702SC-DL