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Easy Sheet Music from Baton Music

This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

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from The Sonata Pastorale

This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

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This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

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Order no.: BTM018SC
from The Sonata Pastorale

This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...

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Order no.: BTM018SC-DL

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

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The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

The moving prayer of Desdemona from Act IV of Otello. The accompaniment is arranged exclusively for woodwinds only. (Soprano and Concert Band)

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The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

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Giuseppe Verdi
from the opera La Battaglia di Legnano

The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

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The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

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Giuseppe Verdi
from the opera La Battaglia di Legnano

The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

The aria 'se al nuovo di pugnando' in Giuseppe Verdi's opera 'La Battaglia di Legnano' is sung by Rolando, the leader of a group of Italian knights that tried to stop the invasion in Lombardy of the G...

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Giovanni Gabrieli
Christmas Motet

In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...

In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...

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Order no.: BTM051SC
Giovanni Gabrieli
Christmas Motet

In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...

In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...

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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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Order no.: BTM070

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

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Giuseppe Verdi
from the opera Il Trovatore

The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

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The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

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Order no.: BTM080SC
Giuseppe Verdi
from the opera Il Trovatore

The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

The aria Stride la vampa - blazing flames - is sung by the gipsy woman Azucena in the second act of Giuseppe Verdi's opera Il Trovatore whilst she is staring into the campfire and telling the story of...

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Gabriel Fauré
from the Requiem op. 48 for soprano and wind ensemble

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

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Gabriel Fauré
from the Requiem op. 48 for soprano and wind ensemble

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

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Gabriel Fauré
from the Requiem op. 48 for soprano and wind ensemble

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

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Order no.: BTM090SC