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The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...
The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...
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In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
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In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
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In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
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In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
In 1855 Johann Strauss composed the 'Aurora Polka' for the ball of the Aurora artists' association. The work was performed for the first time on February 14, 1855 in 'Tanzlokal Zum Sperl' in Vienna. D...
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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- Davide Antonio Pedrazzini
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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- Davide Antonio Pedrazzini
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The Two Christmas Songs, 'Weihnachtsschnee' and 'Weihnachts Wiegenlied' are just beautiful examples of Edvard Grieg's craftsmanship as a songwriter. (Solo Voice and Concert Band)
The Two Christmas Songs, 'Weihnachtsschnee' and 'Weihnachts Wiegenlied' are just beautiful examples of Edvard Grieg's craftsmanship as a songwriter. (Solo Voice and Concert Band)
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
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- Roger Niese
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The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
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- Roger Niese
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The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
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- Roger Niese
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Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
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Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
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Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
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Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
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- Henk van de Weijer
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
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Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
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