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Arthur De Greef (1862 - 1940) was a Belgian composer and pianist. Among his works are piano concertos, the 'Fantasy on Flemish Folk-Songs' for Piano and Orchestra, vocal works and several suites for o...
Arthur De Greef (1862 - 1940) was a Belgian composer and pianist. Among his works are piano concertos, the 'Fantasy on Flemish Folk-Songs' for Piano and Orchestra, vocal works and several suites for o...
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- Douglas McLain
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Arthur De Greef (1862 - 1940) was a Belgian composer and pianist. Among his works are piano concertos, the 'Fantasy on Flemish Folk-Songs' for Piano and Orchestra, vocal works and several suites for o...
Arthur De Greef (1862 - 1940) was a Belgian composer and pianist. Among his works are piano concertos, the 'Fantasy on Flemish Folk-Songs' for Piano and Orchestra, vocal works and several suites for o...
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- Douglas McLain
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Michael William Balfe (1808 -1870) was an Irish composer who is best-remembered for his opera 'The Bohemian Girl'. The plot is loosely based on a Cervantes tale, 'La Gitanilla'. The best-known aria fr...
Michael William Balfe (1808 -1870) was an Irish composer who is best-remembered for his opera 'The Bohemian Girl'. The plot is loosely based on a Cervantes tale, 'La Gitanilla'. The best-known aria fr...
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- Jos van de Braak
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Michael William Balfe (1808 -1870) was an Irish composer who is best-remembered for his opera 'The Bohemian Girl'. The plot is loosely based on a Cervantes tale, 'La Gitanilla'. The best-known aria fr...
Michael William Balfe (1808 -1870) was an Irish composer who is best-remembered for his opera 'The Bohemian Girl'. The plot is loosely based on a Cervantes tale, 'La Gitanilla'. The best-known aria fr...
- Concert Band (Vocal Solo (High Voice))
- Score
- Jos van de Braak
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Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The Polka-schnell 'Leichtes Blut' is a beautiful example of Strauss' r...
Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The Polka-schnell 'Leichtes Blut' is a beautiful example of Strauss' r...
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- Rens van Leeuwen
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Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The Polka-schnell 'Leichtes Blut' is a beautiful example of Strauss' r...
Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The Polka-schnell 'Leichtes Blut' is a beautiful example of Strauss' r...
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- Rens van Leeuwen
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When, in 1889, German military composer Carl Teike brought his newly composed march to the regiment, the Kapellmeister simply told him: 'We've got plenty enough of musical marches, put this one in the...
When, in 1889, German military composer Carl Teike brought his newly composed march to the regiment, the Kapellmeister simply told him: 'We've got plenty enough of musical marches, put this one in the...
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- Thom Roosen
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When, in 1889, German military composer Carl Teike brought his newly composed march to the regiment, the Kapellmeister simply told him: 'We've got plenty enough of musical marches, put this one in the...
When, in 1889, German military composer Carl Teike brought his newly composed march to the regiment, the Kapellmeister simply told him: 'We've got plenty enough of musical marches, put this one in the...
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- Thom Roosen
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In 1915 Sergei Rachmaninov composed the Fourteen Songs opus 34. The last song of this set is the Vocalise. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but...
In 1915 Sergei Rachmaninov composed the Fourteen Songs opus 34. The last song of this set is the Vocalise. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but...
- Concert Band (Solo/Feature: Alto Saxophone)
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- Jos van de Braak
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In 1915 Sergei Rachmaninov composed the Fourteen Songs opus 34. The last song of this set is the Vocalise. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but...
In 1915 Sergei Rachmaninov composed the Fourteen Songs opus 34. The last song of this set is the Vocalise. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but...
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- Score
- Jos van de Braak
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The 'Verbrüderungsmarsch Opus 287' is one of Johann Strauss' numerous marches. The march is rather unknown but nevertheless a very grateful piece. Dutch arranger Jos van de Braak transcribed the Verbr...
The 'Verbrüderungsmarsch Opus 287' is one of Johann Strauss' numerous marches. The march is rather unknown but nevertheless a very grateful piece. Dutch arranger Jos van de Braak transcribed the Verbr...
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- Jos van de Braak
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The 'Verbrüderungsmarsch Opus 287' is one of Johann Strauss' numerous marches. The march is rather unknown but nevertheless a very grateful piece. Dutch arranger Jos van de Braak transcribed the Verbr...
The 'Verbrüderungsmarsch Opus 287' is one of Johann Strauss' numerous marches. The march is rather unknown but nevertheless a very grateful piece. Dutch arranger Jos van de Braak transcribed the Verbr...
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- Jos van de Braak
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Pietro Alessandro Yon(1886 -1943) was an Italian-born organist and composer who made his career in the United States. As a composer, Yon is most famous for his Humoresque 'L'organo primitivo' and 'Ges...
Pietro Alessandro Yon(1886 -1943) was an Italian-born organist and composer who made his career in the United States. As a composer, Yon is most famous for his Humoresque 'L'organo primitivo' and 'Ges...
- Concert Band, Solo and Choir
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- Jos van de Braak
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Pietro Alessandro Yon(1886 -1943) was an Italian-born organist and composer who made his career in the United States. As a composer, Yon is most famous for his Humoresque 'L'organo primitivo' and 'Ges...
Pietro Alessandro Yon(1886 -1943) was an Italian-born organist and composer who made his career in the United States. As a composer, Yon is most famous for his Humoresque 'L'organo primitivo' and 'Ges...
- Concert Band, Solo and Choir
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- Jos van de Braak
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In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...
In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...
- Alto Clarinet, Bassoon, Clarinet, Counter Bassoon, English Horn, Flute, Harp, Horn, Oboe and Percussion
- Score and Parts
- Jos van de Braak
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In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...
In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...
- Alto Clarinet, Bassoon, Clarinet, Counter Bassoon, English Horn, Flute, Harp, Horn, Oboe and Percussion
- Score
- Jos van de Braak
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Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
- High Voice, Winds and Strings
- Score and Parts
- Jos van de Braak
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In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt'. Many of the pieces from this work became very popular in the form of orchestral suites or piano and piano-duet arr...
In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt'. Many of the pieces from this work became very popular in the form of orchestral suites or piano and piano-duet arr...
- High Voice, 2 Flutes, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns, Cello and Double Bass
- Score and Parts
- Jos van de Braak
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'La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her...
'La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her...
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, Cello and Double Bass
- Score and Parts
- Jos van de Braak
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'La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her...
'La Traviata' tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her...
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, Cello and Double Bass
- Score
- Jos van de Braak
- Baton Music
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With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...
With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...
- High Voice and Winds
- Score and Parts
- Jos van de Braak
- Baton Music
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With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...
With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...
- High Voice and Winds
- Score
- Jos van de Braak
- Baton Music
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In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
- Voice and Winds
- Score and Parts
- Jos van de Braak
- Baton Music
-
-
ships within 1-2 weeks
In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
- Voice and Winds
- Score
- Jos van de Braak
- Baton Music
-
-
ships within 1-2 weeks
In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
- Soprano Saxophone Soloist, 2 Flutes, 2 Oboes, 2 Clarinets in A Soloist, 2 Bassoons, 3 Clarinets, Bass Clarinet and Alto Saxophone
- Score and Parts
- Jos van de Braak
- Baton Music
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