Hymns for Mixed Choir

The Magnificat was written in 1982 in response to a commission from Christ Church College, Oxford, whose choir first performed it under their conductor Francis Grier in July of that year. At that time...

This work was commissioned by St Dunstan's College, South-East London, for the celebration of its centenary in 1988. It is an anthem, and uses a setting of Psalm 100. The work has three main sections...

For unaccompanied SATB chorus.

Why, O Lord, do you stand far off? was written in memory of the victims of the London bombings on 7 July 2005, questions the presence of God in times of human disaster, particularly when committed by...

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-pa...

Mealor's setting of this popular text for SATB divisi chorus unaccompanied.

For unaccompanied SATB divisi chorus.

Originally composed as the second of a set of three Latin motets, Paul Mealor's Ave maris stella is now available separately, set for SATB divisi chorus unaccompanied.

Your gentleness, O God of grace was commissioned and dedicated to the memory of Barbara Bubb by Christine Hall and Geoffrey Rowell. It was first performed at a celebration of the Eucharist in Winchest...

Salvator Mundi: Greater Love was commissioned by the Swansea Festival and premiered by Côrdydd, conducted by Sioned James at St Mary's Church, Chepstow on 9 October 2011. It combines two sacred texts:...

Commissioned by St Matthew's Church, Northampton for the Patronal Festival 2012, in memory of Edith Kennedy (1927-2009).

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-pa...

The Twenty-third Psalm by Patrick Hawes for SATB divisi chorus unaccompanied. Written for the inaugural concert of the Winchester Consort.

Ave Verum Corpus by Paul Mealor for SATB divisi chorus unaccompanied.

All Creation Slept was written for Alastair Tighe and Eltham College and was first performed on 19 December 2012 at Southwark Cathedral, London. The text is constructed of excerpts from A Cradle Song....

Drop, Drop, Slow Tears is a choral piece for unaccompanied SATB (Soprano/Alto/Tenor/Bass) chorus composed by Graham Ross in 2003. First performed by the Royal College of Music Junior Chamber Choir, Dr...

Laboravi In Gemitu Meo by the Renaissance English composer and one of the principle members of the Madrigal School. This work, expertly edited by Lionel Pike, is arranged for unaccompanied SSAATB Chor...

A Hymne To God My God is a composition by renowned composer Michael Ball, arranged for quadruple SATB choir as an a cappella performance. The piece is a setting of texts by English poet John Donne, an...

Commissioned by the Highland Festival, Stuart MacRae 's work Salm 42 is a Gaelic setting of Psalm 42 and was first performed on 5th June 1999 at Eden Court Theatre, Inverness by the combined Gaelic Ch...

This work for mixed voices was commissioned by the Allegri Singers and first performed by them in 1988. The text is by Geoffrey Hill from 'Tenebrae'.

The Lord Bless You And Keep You' is a work scored for Unaccompanied SATB Chorus, by Welsh composer Paul Mealor. The piece was first performed by the University of Aberdeen Chamber Choir, conducted by...

The Wings Of The Wind is a work by Owain Park for Unaccompanied SSAATTBB Choir. Composed for Stephen Layton and The Choir of Trinity College Cambridge, the work is a setting of words from the Book of...

A Penitential Responsory is a work for Unaccompanied SATB chorus by Andrew Gant. It is a setting of Psalm 51.

Beati Quorum Via is a work by Owain Park for Unaccompanied SSATB Choir. Commissioned by the Wells Cathedral Chorister Trust, the piece sets Psalm 119, Verse 1, and lasts around 4 minutes.

I Heard A Voice From Heaven is a work by Herbert Howells from 'Requiem', scored for Unaccompanied SATB Choir. A full performance lasts around 4 minutes.