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Instrumental Pieces for Concert Band

'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...

'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...

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'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...

'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...

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  • Simon Scheiwiller
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Vincenzo Bellini

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

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  • Vincenzo Bellini
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Vincenzo Bellini

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

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  • Vincenzo Bellini
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Vincenzo Bellini

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

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Vincenzo Bellini

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...

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Sir William Turner Walton

The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...

The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...

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  • Gerhart Drijvers
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Sir William Turner Walton

The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...

The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...

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  • Gerhart Drijvers
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The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

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Order no.: BTM118

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

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  • Gerard Posch
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Order no.: BTM1181

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

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  • Gerard Posch
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Order no.: BTM1181-DL

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

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  • Gerard Posch
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

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  • Gerard Posch
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

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  • Marc Koninkx
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

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  • Marc Koninkx
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

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  • Marc Koninkx
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

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  • Marc Koninkx
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Camille Saint-Saëns

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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  • Andre Bodin
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Camille Saint-Saëns

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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  • Andre Bodin
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134,95 €
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Camille Saint-Saëns

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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  • Andre Bodin
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Camille Saint-Saëns

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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  • Andre Bodin
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Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

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  • Yorick De Bruycker
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Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

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  • Yorick De Bruycker
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Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

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