Instrumental Pieces for Concert Band

The operetta 'Babes in Toyland' was composed by Victor Herbert (1859-1924) in 1903. In this operetta on a libretto by Glen MacDonough, various characters from 'Mother Goose nursery rhymes' are woven t...

The operetta 'Babes in Toyland' was composed by Victor Herbert (1859-1924) in 1903. In this operetta on a libretto by Glen MacDonough, various characters from 'Mother Goose nursery rhymes' are woven t...

Léon Jessel was a German composer of operettas and light classical music pieces. Today Jessel is best known internationally as the composer of 'The Parade of the Tin Soldiers' (Die Parade der Zinnsold...

Léon Jessel was a German composer of operettas and light classical music pieces. Today Jessel is best known internationally as the composer of 'The Parade of the Tin Soldiers' (Die Parade der Zinnsold...

Léon Jessel was a German composer of operettas and light classical music pieces. Today Jessel is best known internationally as the composer of 'The Parade of the Tin Soldiers' (Die Parade der Zinnsold...

Léon Jessel was a German composer of operettas and light classical music pieces. Today Jessel is best known internationally as the composer of 'The Parade of the Tin Soldiers' (Die Parade der Zinnsold...

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapte...

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapte...

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapte...

'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapte...

François-Adrien Boieldieu (1775 - 1834) was a popular French composer with great successes in 'Grand Opera' and 'Opéra Comiques'. His popularity resulted in his nickname 'The French Mozart'. Out of al...

François-Adrien Boieldieu (1775 - 1834) was a popular French composer with great successes in 'Grand Opera' and 'Opéra Comiques'. His popularity resulted in his nickname 'The French Mozart'. Out of al...

Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...

Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...

Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...

Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...

'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...

'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...

'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...

For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...