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Intermediate Concert Music Sheet Music for Solos & Recitals

Take your performance to the next level with our curated selection of intermediate concert music sheet music. Designed for musicians who have mastered the basics and are ready for moderate technical challenges, these pieces are perfect for recitals, competitions, or personal growth. They offer a beautiful balance between expressive depth and manageable virtuosity. From Baroque masterworks to modern concert pieces, our collection provides a wide range of styles to suit every musical taste. Explore our catalog and find the perfect score to showcase your skills and impress your audience with confidence and style.
Joseph Schillinger

When Russian composer Joseph Schillinger met Leon Theremin (the inventor of the theremin) they collaborated resulting in a few of the first original pieces for the theremin. Among those pieces Schilli...

When Russian composer Joseph Schillinger met Leon Theremin (the inventor of the theremin) they collaborated resulting in a few of the first original pieces for the theremin. Among those pieces Schilli...

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Johann Strauss wrote the 'Russische Marsch-Fantasie' (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the 'Russische Marsch-Fantasie' (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

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Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

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Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

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Théodore Casimir Lalliet

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

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Théodore Casimir Lalliet

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

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Théodore Casimir Lalliet
Prelude and Variations

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

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Théodore Casimir Lalliet
Prelude and Variations

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

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Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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Order no.: BTM460SC
Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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Georges Bizet
from the opera Carmen

'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

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Order no.: BTM461-DL
Georges Bizet
from the Opera Carmen

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

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Georges Bizet
from the opera Carmen

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

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Charles Gounod
from the Oratorio Mors et Vita

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

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Order no.: BTM463SC
Charles Gounod
from the Oratorio Mors et Vita

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

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Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

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Order no.: BTM465
Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

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Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

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Order no.: BTM465SC
Johann Strauss (Sohn)
Quadrille

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

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Pablo de Sarasate
for Violin and Orchestra

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

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Order no.: BTM466
Pablo de Sarasate
for Violin and Orchestra

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

Pablo de Sarasate's 'Zigeunerweisen' (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

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187,95 €
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Order no.: BTM466-DL
Pablo de Sarasate

Pablo de Sarasate's "Zigeunerweisen" (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

Pablo de Sarasate's "Zigeunerweisen" (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

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Order no.: BTM466SC
Pablo de Sarasate
for Violin and Orchestra

Pablo de Sarasate's "Zigeunerweisen" (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

Pablo de Sarasate's "Zigeunerweisen" (Gypsy Airs) for Violin and Orchestra was written in 1878 and premiered during the same year in Leipzig. It is based on themes of the Roma people, specifically the...

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43,95 €
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Order no.: BTM466SC-DL

Perfect Your Solo Performance: Intermediate Level

The Joy of Performance at the Intermediate Level

Concert music is all about the soloist's ability to engage and move the listener. At the intermediate stage, players focus on refining their dynamics, articulation, and musical phrasing. Leading publishers like Boosey & Hawkes, Schott, and Hal Leonard offer excellent editions of classics by composers such as Haydn, Vivaldi, and Grieg. These works are essential milestones in any musician's education, providing a platform to explore the full range of their instrument—be it flute, piano, or trumpet—within a formal and rewarding musical structure.

Diversity and Pedagogical Value in our Collection

Our shop features a vast array of intermediate sheet music for various instruments, often with piano accompaniment. We include works from the classical canon as well as modern arrangements suitable for beginners transitioning to middle-level repertoire. You will find everything from short concertinos to sonatinas and character pieces. Each score is chosen for its artistic quality and educational benefits. We also offer method books and study guides that complement these performance pieces, ensuring a well-rounded approach to mastering concert literature and building a professional repertoire.

Buy at All Sheetmusic: Your Music Partner Since 1969

All Sheetmusic has been the go-to destination for musicians worldwide for over 50 years. With more than 1,000,000 titles from all global publishers, we provide an unparalleled selection for teachers, students, and professionals. We focus on providing the best choral and ensemble literature, but our solo concert music range is equally impressive. With over 100,000 items in stock, we guarantee fast delivery. Use our score samples and audio previews to shop with ease. Many items are also available for instant download. Start your musical journey today and shine on stage!