Intermediate Mass Sheet Music

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

Obwohl Rheinberger ein beachtliches Repertoire an Musik für den Gottesdienst hinterlassen hat, ist die hier veröffentlichte 'C-Dur-Messe' op. 169 für Solostimmen, gemischten Chor und Orchester sein ei...

Gemischter Chor (SATB) a cappella oder mit Orgel.

Hermann Schroeder (1904-1984) is one of the most important composers of Catholic church music in the 20th century. Apart from more than 100 organ works and masses, he also wrote numerous motets. The p...

The 'Missa romana' is a mass setting in Latin. With a duration of c. 10 minutes, and a moderate level of difficulty, it is intended for performance in Catholic services. It combines jazzy chords and L...

Schubert's magnificent but simple 'Deutche Messe' for SATB voices, which may be performer a capella or with the Organ accompaniment given here. The text is given in German and in an English translatio...

Soli SA, Coro SA, Org

Delibes liess in seiner 'Messe brève' der Messeteile 'Credo' und 'Benedictus' aus, fügte aber nach dem 'Sanctus' das in Frankreich gebräuchliche 'O salutaris hostia' in die Messe ein. Der Wechsel zwis...

Haydn composed his first mass as a teenager, when he and his brother were still singing as boy sopranos at St. Stephen's Cathedral in Vienna. He probably wrote the two ornamented solo parts for himsel...

Haydn composed his first mass as a teenager, when he and his brother were still singing as boy sopranos at St. Stephen's Cathedral in Vienna. He probably wrote the two ornamented solo parts for himsel...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...