Get ready to move! Opening with a warm and sultry flute solo (opt. Alto or Flugelhorn) this chart transitions into a burning Son Montuno with an infectious melody full of lots of syncopations. Meticul...
Get ready to move! Opening with a warm and sultry flute solo (opt. Alto or Flugelhorn) this chart transitions into a burning Son Montuno with an infectious melody full of lots of syncopations. Meticul...
- Jazz Ensemble
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- Hal Leonard
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This fresh bossa setting of the classic #1 hit by Leon Russell prominently features your lead trombone player as a soloist as well as the sax section. The solo section cleverly breaks into a double-ti...
This fresh bossa setting of the classic #1 hit by Leon Russell prominently features your lead trombone player as a soloist as well as the sax section. The solo section cleverly breaks into a double-ti...
- Jazz Ensemble (Solo/Feature: Trombone)
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- Mark Taylor
- Hal Leonard
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- Jazz Ensemble
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- Hal Leonard
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Written by bebop composer Tadd Dameron as a tribute to jazz vocalist Billie Holiday, this jazz standard belongs in every jazz musician's repertoire. With a short 16-bar form, this tune is a great intr...
Written by bebop composer Tadd Dameron as a tribute to jazz vocalist Billie Holiday, this jazz standard belongs in every jazz musician's repertoire. With a short 16-bar form, this tune is a great intr...
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- Mike Tomaro
- Hal Leonard
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This jazz standard composed by Dave Brubeck came to prominence on the landmark 1957 Miles Davis/Gil Evans collaboration Miles Ahead. Mike Tomaro's arrangement takes the composition in a somewhat diffe...
This jazz standard composed by Dave Brubeck came to prominence on the landmark 1957 Miles Davis/Gil Evans collaboration Miles Ahead. Mike Tomaro's arrangement takes the composition in a somewhat diffe...
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- Mike Tomaro
- Hal Leonard
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From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...
From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...
- Jazz Ensemble
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- John Wasson
- Hal Leonard
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Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...
Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...
- Jazz Ensemble (Solo/Feature: Trumpet and Tenor Saxophone)
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- Hal Leonard
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Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...
Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...
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- HXmusic
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Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...
Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...
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- HXmusic
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- Euphonium and Organ
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- Martin Carbow
- Editions Marc Reift
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- Euphonium and Organ
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- Bernard Hughed
- Editions Marc Reift
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- 4 Euphoniums and Piano
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- Jean-François Michel
- Editions Marc Reift
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I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...
I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...
- Women's Choir (SSMezMezAA)
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- Bärenreiter Verlag
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Text: Liturgie Musik: Juan de Arratia (*um 1550)
- Women's Choir (SSAA)
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- Carus-Verlag
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Matushitas Vertonung des Pfingst-Hymnus ist ein Dialog zwischen Klavier und Frauenchor: während der Frauenchor seine Melodien aus dem gregorianischen Hymnus entwickelt, kontrapunktiert die Klavierstim...
Matushitas Vertonung des Pfingst-Hymnus ist ein Dialog zwischen Klavier und Frauenchor: während der Frauenchor seine Melodien aus dem gregorianischen Hymnus entwickelt, kontrapunktiert die Klavierstim...
- Women's Choir (SSAA) and Piano
- Piano Score Download
- Carus-Verlag
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The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...
The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...
- Women's Choir (SSA) and Organ
- Organ Score Download
- Carus-Verlag
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For the discerning choir, a lovely setting of the Latin 'Benedictus. ' A haunting melodic motive is underscored by a gently lilting piano accompaniment as your choir performs this highly expressive an...
For the discerning choir, a lovely setting of the Latin 'Benedictus. ' A haunting melodic motive is underscored by a gently lilting piano accompaniment as your choir performs this highly expressive an...
- Mixed Choir (SATB) and Piano
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- Alfred Publishing
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Bach's oratorio for Ascension Day was composed in Leipzig in 1735. In terms of scope, it corresponds to a cantata, but in terms of the choice of text, it can be classified as an oratorio. In addition...
Bach's oratorio for Ascension Day was composed in Leipzig in 1735. In terms of scope, it corresponds to a cantata, but in terms of the choice of text, it can be classified as an oratorio. In addition...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Joachim Eichhorn
- Bärenreiter Verlag
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Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...
Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...
- Low Voice, Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Olga Kroupová
- Bärenreiter Verlag
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The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...
The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Walter Heinz Bernstein
- Bärenreiter Verlag
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- Mixed Choir (STTB)
- Choral Score Download
- Bärenreiter Verlag
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- Mixed Choir (SATB) and Continuo
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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- Mixed Choir (SATB) and Continuo
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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- Mixed Choir (SATB) and Continuo
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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- Mixed Choir (SATB) and Continuo
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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