Intermediate Sheet Music from Bärenreiter Verlag
For the first time the series 'Bärenreiter’s Concert Pieces' presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods bu...
For the first time the series 'Bärenreiter’s Concert Pieces' presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods bu...
- Cello and Piano
- Piano reduction with part(s)
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Arrangiert für Violoncello, transponiert nach G-Dur Die Reihe für Bratsche bzw. Cello wird nun ergänzt um das wirkungsvolle, dreisätzige Schülerkonzert op. 22 von Friedrich Seitz, bereits erschienen f...
Arrangiert für Violoncello, transponiert nach G-Dur Die Reihe für Bratsche bzw. Cello wird nun ergänzt um das wirkungsvolle, dreisätzige Schülerkonzert op. 22 von Friedrich Seitz, bereits erschienen f...
- Cello and Piano
- Piano reduction with part(s)
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The first three movements of Johannes Brahms’ E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mi...
The first three movements of Johannes Brahms’ E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mi...
- Cello and Piano
- Piano Score and Part(s) Download (Urtext)
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> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...
> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...
- Cello and Piano
- Score and Parts (Urtext)
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> First complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jirí Gemrot > Includes Dvorák's own arrangement of Dance no. 8 > With fingering and bowing by Tomáš J...
> First complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jirí Gemrot > Includes Dvorák's own arrangement of Dance no. 8 > With fingering and bowing by Tomáš J...
- Cello and Piano
- Score and Parts (Urtext)
- Jirí Gemrot
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- Cello and Piano
- Piano reduction with part(s)
- Karl Heinz Füssl
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Carl Stamitz (1746 - 1801), a contemporary of Mozart and Haydn and the son of the violinist and composer Johann Stamitz, worked at the Mannheim court before traveling Europe as a violin virtuoso and c...
Carl Stamitz (1746 - 1801), a contemporary of Mozart and Haydn and the son of the violinist and composer Johann Stamitz, worked at the Mannheim court before traveling Europe as a violin virtuoso and c...
- Cello and Piano
- Piano reduction with part(s) Download
- Karl Heinz Füssl
- Bärenreiter Verlag
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Violoncello, Basso continuo - Spielpartitur; Einzelstimme
Violoncello, Basso continuo - Spielpartitur; Einzelstimme
- Cello and Continuo
- Score and Parts
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Violoncello, Basso continuo - Spielpartitur; Einzelstimme
Violoncello, Basso continuo - Spielpartitur; Einzelstimme
- Cello and Continuo
- Score and Parts Download
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Violoncello, Basso continuo - Spielpartitur; Einzelstimme
Violoncello, Basso continuo - Spielpartitur; Einzelstimme
- Cello and Continuo
- Score and Parts
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52 Liedsätze und kleine Motetten überwiegend für gleiche Stimmen, einige für gemischte Stimmen (SAMSt), einige mit Ritornellen für 3 Melodieinstrumente ad lib. zum Gebrauch in Kirchen-, Schul- und Lai...
52 Liedsätze und kleine Motetten überwiegend für gleiche Stimmen, einige für gemischte Stimmen (SAMSt), einige mit Ritornellen für 3 Melodieinstrumente ad lib. zum Gebrauch in Kirchen-, Schul- und Lai...
- Women's Choir (SSA)
- Choral Score
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Andreas Köhs
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> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...
> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...
- Soloists (SATB), Mixed Choir (SATB) and Continuo
- Piano Score
- Andreas Köhs
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Gemischter Chor, Klavier - Singpartitur; Spielpartitur; Urtextausgabe
Gemischter Chor, Klavier - Singpartitur; Spielpartitur; Urtextausgabe
- Mixed Choir (SATB) and Piano
- Choral Score
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> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
- 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Horns, Cello and Double Bass
- Score (Urtext)
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> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
- 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Horns, Cello and Double Bass
- Set of Parts (Urtext)
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Score (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can happily write you...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can happily write you...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Score (Urtext)
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Early piano quintet In 1887 Antonín Dvorák revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music c...
Early piano quintet In 1887 Antonín Dvorák revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music c...
- Piano, 2 Violins, Viola and Cello
- Score and Parts
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Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...
Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...
- Oboe, Clarinet, 4 Violins and Cello
- Set of Parts (Urtext)
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Partitur mit Einzelstimmen VL1, VL2, VC/KB Komische Kantate (auch szenisch darzustellen) für Solostimme (deutsch/englisch), 2stimmigen Knabenchor (lateinisch) und Instrumente, Rekonstruktion. Der Part...
Partitur mit Einzelstimmen VL1, VL2, VC/KB Komische Kantate (auch szenisch darzustellen) für Solostimme (deutsch/englisch), 2stimmigen Knabenchor (lateinisch) und Instrumente, Rekonstruktion. Der Part...
- Soloist, Children's Choir, 2 Violins and Continuo
- Score and Parts
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Der Partitur liegen auch eine Stimme für Fagott/Violomcello (statt Blockflöte) bei. Urtext der Telemann-Ausgabe. Flöte (2), Alt-Blockflöte in f,g/ Fagott/ Violoncello, Basso continuo - Partitur; Stimm...
Der Partitur liegen auch eine Stimme für Fagott/Violomcello (statt Blockflöte) bei. Urtext der Telemann-Ausgabe. Flöte (2), Alt-Blockflöte in f,g/ Fagott/ Violoncello, Basso continuo - Partitur; Stimm...
- 2 Flutes, Alto Recorder and Continuo
- Score and Parts (Urtext)
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Urtext der Hallischen Händel-Ausgabe - Sonatas in E-flat major HWV 382 and in F major HWV 383 Oboe, Violine/ Oboe, Basso continuo - Partitur; Stimmensatz
Urtext der Hallischen Händel-Ausgabe - Sonatas in E-flat major HWV 382 and in F major HWV 383 Oboe, Violine/ Oboe, Basso continuo - Partitur; Stimmensatz
- Oboe, Violin and Continuo
- Score and Parts (Urtext)
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Flute, Violin, Viola, Violoncello - set of parts; Urtext edition
- Flute, Violin, Viola and Cello
- Set of Parts (Urtext)
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