Opera Sheet Music Downloads
The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
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'Agua, Azucarillos y Aguardiente' is a zarzuela in one act with a libretto by Miguel Ramos Carrión and music by Frederico Chueca. It was premiered at the Apolo theater in Madrid on June 23, 1897 and b...
'Agua, Azucarillos y Aguardiente' is a zarzuela in one act with a libretto by Miguel Ramos Carrión and music by Frederico Chueca. It was premiered at the Apolo theater in Madrid on June 23, 1897 and b...
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- Sergio Rodríguez Pena
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'Agua, Azucarillos y Aguardiente' is a zarzuela in one act with a libretto by Miguel Ramos Carrión and music by Frederico Chueca. It was premiered at the Apolo theater in Madrid on June 23, 1897 and b...
'Agua, Azucarillos y Aguardiente' is a zarzuela in one act with a libretto by Miguel Ramos Carrión and music by Frederico Chueca. It was premiered at the Apolo theater in Madrid on June 23, 1897 and b...
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- Sergio Rodríguez Pena
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Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
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- Gregor Kovacic
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Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
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- Gregor Kovacic
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Eugene Onegin, the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of Ol...
Eugene Onegin, the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of Ol...
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- Marc Koninkx
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Eugene Onegin, the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of Ol...
Eugene Onegin, the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of Ol...
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- Marc Koninkx
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Tannhäuser is one of Richard Wagner's richest and most elaborate musical achievements. A mood of autumnal melancholy imbues the third and final act: Wolfram feels the chill hand of impending death, bu...
Tannhäuser is one of Richard Wagner's richest and most elaborate musical achievements. A mood of autumnal melancholy imbues the third and final act: Wolfram feels the chill hand of impending death, bu...
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I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
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- Gerard Posch
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I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
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- Gerard Posch
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'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
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- Gerard Posch
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'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
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- Gerard Posch
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'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...
'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...
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- Simon Scheiwiller
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'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...
'Capriccio' is the final opera by German composer Richard Strauss. It is subtitled 'A Conversation Piece for Music' and received its premiere performance at the 'Nationaltheater München' on 28 October...
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- Simon Scheiwiller
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The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...
The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...
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Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...
Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...
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Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...
Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...
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Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...
Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...
- Concert Band (Solo/Feature: Men's Choir)
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- Gerard Posch
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Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...
Rossini's Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas. The Cavatina 'Largo al factotum' is sung by Figaro, the barber of Sevilla, in the first act of the opera: he tells...
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- Jos van de Braak
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it´s quite logic that the violin plays an important role in his work. The 'Carmen Fantasy' , together wit...
Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it´s quite logic that the violin plays an important role in his work. The 'Carmen Fantasy' , together wit...
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- Gerhart Drijvers
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Kurt Weill (1900-1950) was best-known work is "Die Dreigroschenoper" ("Threepenny Opera") (1928), a reworking of John Gay's "The Beggar's Opera", written in collaboration with Bertolt Brecht. Weill's...
Kurt Weill (1900-1950) was best-known work is "Die Dreigroschenoper" ("Threepenny Opera") (1928), a reworking of John Gay's "The Beggar's Opera", written in collaboration with Bertolt Brecht. Weill's...
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- Gregor Kovacic
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Kurt Weill (1900-1950) was best-known work is "Die Dreigroschenoper" ("Threepenny Opera") (1928), a reworking of John Gay's "The Beggar's Opera", written in collaboration with Bertolt Brecht. Weill's...
Kurt Weill (1900-1950) was best-known work is "Die Dreigroschenoper" ("Threepenny Opera") (1928), a reworking of John Gay's "The Beggar's Opera", written in collaboration with Bertolt Brecht. Weill's...
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- Gregor Kovacic
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'Le Nozze di Figaro' is one of the three opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The 'Canzonetta sull'aria' is su...
'Le Nozze di Figaro' is one of the three opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The 'Canzonetta sull'aria' is su...
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe' ('The merry widow') in 1905 made him clear that he had to give his tal...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe' ('The merry widow') in 1905 made him clear that he had to give his tal...
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- Roger Niese
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