Piano Excerpts

Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe - Romantic Opera in three acts. Vocal Score based on the Urtext of the New Schubert Edition. Sopran solo (2), Tenor solo (3), Bariton solo (2),...

> Urtext edition based on the 'New Schubert Edition' > Bilingual Foreword (Ger/Eng) > Idiomatic, uncluttered piano reduction (Ger) On 20 December 1823 Helmina von Chézy's 'great romantic drama' 'Rosam...

> Ersetzt BA2291-90 > Überarbeitete und neu gesetzte Urtextausgabe auf Grundlage der Gluck-Gesamtausgabe > Französisches Libretto mit sangbarer deutscher Übersetzung > Vorwort (dt./engl./frz.) > Praxi...

Iphigénie en Aulide is the first of six operas that Gluck composed on behalf of the Académie Royale de Musique. In line with his reformist ideas, the composer declared that he wanted to create noble,...

Solostimme, Chor und Instrumente. Bariton solo, Gemischter Chor-SATB, Horn (2), Trompete, Posaune (3), Kontrabass, Schlagzeug, Klavier - Klavierauszug

The album for mixed choir and piano with a selection of choruses from Italian, French, German, English and Russian operas of the 17th-19th centuries provides an insight into the diversity of this genr...

Orgel, Gemischter Chor (SATB) - Klavierauszug; Urtextausgabe

7SSolo/4TSolo/3BSolo/GemCh: SSATTB/MCh: TTBBB/Orch

To this day, neither a historical nor a modern edition of this pretty one-act opera by Rameau, which was premiered in 1754 at the Fontainebleau Theatre, exists. The patchy source material made it nece...

Die erste Fassung von 'Dardanus', die Ende 1739 zur Aufführung kam, entstand offenbar innerhalb von nur sechs Monaten und markiert in Rameaus Laufbahn eine besonders produktive Phase: In einem Zeitrau...

Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental part...

Commissioned by Europa Cantat for the festival Jugend in Bewegung, Bonn 2010

This is how the Parzen, the goddesses of fate in Greek and Roman mythology, sang: the Parzenlied in Goethe's verse drama "Iphigenia in Tauris", which became the model for Johannes Brahms, is about cur...

The three great motets Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed between 1713 and 1715, have remained relatively unknown to this day. And yet these mot...

How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...

One of the most important mass compositions of the pre-classical period and also one of the earliest examples of the "Mannheim" symphonic church style. First edition of the work.

In 1784, Haydn modernized his oratorio "Il ritorno di Tobia" for a revival at the Burgtheater in Vienna. He added the choruses "Ah, gran Dio" and "Svanisce in un momento", the second of which was rewo...

Text: da Ponte, L. Soli: SSMezTBarB - Chor: SATB - 2.2.2.2. - 2.2.0.0. - Pk - (Levi, H. / Link, J.-D.) ital-dt. AD: abendfüllend Libretto: Lorenzo da Ponte Übersetzung: dt. (H. Levi) : Neapel, um 1780...