Richard Lane Sheet Music for Ensemble

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

In 1966, New York clarinetists Jack Kreiselman and Daniel H. Leeson were engaged to play the two Mendelssohn concert pieces at the Brooklyn Museum (broadcast live on WNYC radio). Daniel Leeson asked R...

In 1963, I played in a trio with the astonishingly beautiful combination of clarinet, viola and piano. Mozart, with his trio ''Kegelstatt'' (KV. 498) from August 9, 1786, probably composed the first a...

Richard Lane composed this second trio for viola, B-flat clarinet and piano in 1981 at my request, as I had an excellent chamber music class at Queensborough Community College at the time. The premier...

Score and solo parts In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard La...

In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard Lane to consider writing...

Richard Lane and I were both drafted into the U.S. Army in October, 1956 and met during our second session of basic training at the Band School, Ft. Dix, New Jersey in January, 1957. We became immedia...

In 1993, Richard Lane was commissioned by Ron Levy and the Manchester Chamber Players (Vermont, USA) to write this Trio for viola, cello and piano. The first movement depicts a playful and blissful di...

In 1993, Richard Lane was commissioned by Ron Levy and the Manchester Chamber Players (Vermont, USA) to write this Trio for viola, cello and piano. The first movement depicts a playful and blissful di...

The Palisades Virtuosi, now officially in its fourth season, was formed by three musician friends (Margaret Swinchoski, flute; Donald Mokrynski, clarinet; Ron Levy, piano). Quickly exhausting the exis...

In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...

In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...

Richard Lane and I were both drafted into the U.S. Army in October, 1956 and met during our second session of basic training at the Band School, Ft. Dix, New Jersey in January, 1957. We became immedia...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

In 1966, New York clarinetists Jack Kreiselman and Daniel H. Leeson were engaged to play the two Mendelssohn concert pieces at the Brooklyn Museum (broadcast live on WNYC radio). Daniel Leeson asked R...