Sheet Music Downloads by Uwe Wolf

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Handel's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide ran...

Die Edition der Messe in h-Moll im Rahmen der Neuen Bach-Ausgabe war und ist der Standard für Generationen von Musikern. Der jetzt von Uwe Wolf vorgelegte erste Band der revidierten Neuausgabe bietet...

Die Edition der Messe in h-Moll im Rahmen der Neuen Bach-Ausgabe war und ist der Standard für Generationen von Musikern. Der jetzt von Uwe Wolf vorgelegte erste Band der revidierten Neuausgabe bietet...

Die Edition der Messe in h-Moll im Rahmen der Neuen Bach-Ausgabe war und ist der Standard für Generationen von Musikern. Der jetzt von Uwe Wolf vorgelegte erste Band der revidierten Neuausgabe bietet...

Die Edition der Messe in h-Moll im Rahmen der Neuen Bach-Ausgabe war und ist der Standard für Generationen von Musikern. Der jetzt von Uwe Wolf vorgelegte erste Band der revidierten Neuausgabe bietet...

Die Edition der Messe in h-Moll im Rahmen der Neuen Bach-Ausgabe war und ist der Standard für Generationen von Musikern. Der jetzt von Uwe Wolf vorgelegte erste Band der revidierten Neuausgabe bietet...

Die Edition der Messe in h-Moll im Rahmen der Neuen Bach-Ausgabe war und ist der Standard für Generationen von Musikern. Der jetzt von Uwe Wolf vorgelegte erste Band der revidierten Neuausgabe bietet...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...

The C Minor Mass KV 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of 'the' Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, Thomas cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part choral...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...