Sheet Music Downloads by Uwe Wolf

Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...

In 1729, Bach took over the direction of the "Collegium musicum" in Leipzig, which had once been founded by Telemann, and subsequently gave concerts with this ensemble at least once a week in Zimmerma...

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

Between 1835 and 1837, the young Bruckner wrote one of his first sacred works, a Pange lingua in C major (WAB 31/1). In 1891, as a mature composer living in Vienna, he reworked this short piece from h...

The Missa in c KV 427 by Wolfgang Amadeus Mozart is a fascinating work. To speak of "the" mass alone is inaccurate, as it is basically nothing more than a musical torso, full of riddles and problems -...

The Missa in c KV 427 by Wolfgang Amadeus Mozart is a fascinating work. To speak of "the" mass alone is inaccurate, as it is basically nothing more than a musical torso, full of riddles and problems -...

The Missa in c KV 427 by Wolfgang Amadeus Mozart is a fascinating work. To speak of "the" mass alone is inaccurate, as it is basically nothing more than a musical torso, full of riddles and problems -...

The Missa in c KV 427 by Wolfgang Amadeus Mozart is a fascinating work. To speak of "the" mass alone is inaccurate, as it is basically nothing more than a musical torso, full of riddles and problems -...

Begräbnis-Motette zum Tod von Johann Hermann Schein, gest. 19. November 1630

Das Magnificat zu 6 Stimmen und Basso continuo ist die kleine Schwester des Magnificats aus der 'Marienvesper'. Monteverdi ließ es 1610 gemeinsam mit dem größeren, mit obligaten Instrumenten besetzten...

Monteverdis Selva morale et spirituale von 1641 steht heute ganz im Schatten von Monteverdis berühmter Marienvesper von 1610. Die Drucke von 1610 und 1641 enthalten beide v. a. Musik für Messe und Ves...

The opening chorus of the cantata "Schauet doch und sehet" BWV 46 is one of those movements by Bach that is primarily known in its later guise: its first part became the "Qui tollis" of the Mass in B...

Homilius' oratorio passions are among the last compositions of this type from the 18th century. The role of the choir in the oratorio passions is largely limited to the chorales and folk choruses; onl...

Er war ohne Widerrede unser größter Kirchenkomponist, so schrieb der Lexikograph E. L. Gerber wenige Jahre nach Homilius’ Tod 1785. Als langjähriger Kreuzkantor hatte der Bach-Schüler Homilius aufgrun...

After the Passion cantata "Ein Lämmlein geht und trägt die Schuld" from 1775, the Christmas Oratorio is the second major vocal work by Homilius to be published in print during his lifetime. With an un...

Gottfried August Homilius was one of the last composers of the 18th century who, in addition to the then more popular Passion oratorio on fully composed texts, continued to compose passions using the...

Gottfried August Homilius' cantatas enjoyed immense popularity in their day. They have survived to this day in sources from all over the German-speaking Protestant world - from Switzerland to the Balt...

The cantatas by Gottfried August Homilius are an integral part of Protestant music in the period after 1750. They enjoyed great popularity in large parts of German-speaking Europe and Homilius enjoyed...

The cantata "Auf, auf, ihr Herzen, seid bereit" for the fourth Sunday in Advent was certainly composed during Homilius' time as Dresden Kreuzkantor between 1755 and 1785, but cannot be dated more prec...

The Tantum ergo in A major, WAB 43, is one of Bruckner’s student pieces, preceding the later Tantum ergo settings, WAB 41/1-4. The parallel sixths and the ending evoke memories of late Viennese Classi...

Bruckner’s Tantum ergo in B-flat major was performed on New Year’s Eve 1849 at St. Florian monastery, where the composer was employed as a teacher. This short work captivates with an expressive, beaut...

Mit der klangprächtigen Vertonung des 136. Psalms aus den Psalmen Davids von 1619 betritt Heinrich Schütz Neuland: Er holt das höfische Trompetenensemble in die Kunstmusik (ähnlich wie zur selben Zeit...

Ein noch viel zu wenig bekanntes Psalmkonzert von Heinrich Schütz für Solostimmen, Chor, 2 Violinen, 3 Posaunen und Basso continuo. Alternativ sind auch kleinere Besetzungen möglich. Vermutlich schrie...