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The 'Mass in b minor' (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass. The work was one of Bach's last compositions, not completed until 1749, the ye...
The 'Mass in b minor' (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass. The work was one of Bach's last compositions, not completed until 1749, the ye...
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- Simon Scheiwiller
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'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
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- Martin Baumgartner
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'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
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- Martin Baumgartner
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The 'Ave Maria' by Charles Gounod consists of a melody that he superimposed over an only very slightly changed version of the Prelude No. 1 'from Joh. Seb. Bach's 'The Well-Tempered Clavier', written...
The 'Ave Maria' by Charles Gounod consists of a melody that he superimposed over an only very slightly changed version of the Prelude No. 1 'from Joh. Seb. Bach's 'The Well-Tempered Clavier', written...
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- Jos van de Braak
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The 'Ave Maria' by Charles Gounod consists of a melody that he superimposed over an only very slightly changed version of the Prelude No. 1 'from Joh. Seb. Bach's 'The Well-Tempered Clavier', written...
The 'Ave Maria' by Charles Gounod consists of a melody that he superimposed over an only very slightly changed version of the Prelude No. 1 'from Joh. Seb. Bach's 'The Well-Tempered Clavier', written...
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- Jos van de Braak
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'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
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- Martin Baumgartner
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'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...
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- Martin Baumgartner
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The All-Night Vigil (often mis-translated as simply Vespers) is an a cappella choral composition by Sergei Rachmaninov, his Op. 37, premiered on 23 March 1915 in Moscow. The piece consists of settings...
The All-Night Vigil (often mis-translated as simply Vespers) is an a cappella choral composition by Sergei Rachmaninov, his Op. 37, premiered on 23 March 1915 in Moscow. The piece consists of settings...
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- Rolf Verbeek
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The All-Night Vigil (often mis-translated as simply Vespers) is an a cappella choral composition by Sergei Rachmaninov, his Op. 37, premiered on 23 March 1915 in Moscow. The piece consists of settings...
The All-Night Vigil (often mis-translated as simply Vespers) is an a cappella choral composition by Sergei Rachmaninov, his Op. 37, premiered on 23 March 1915 in Moscow. The piece consists of settings...
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- Rolf Verbeek
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Franz Liszt, a deeply religious man, wrote several piano pieces with the title of 'Ave Maria'. One of these is based on a secular chanson of Jacques Arcadelt. Ave Maria d'Arcedelt is is one of Liszt's...
Franz Liszt, a deeply religious man, wrote several piano pieces with the title of 'Ave Maria'. One of these is based on a secular chanson of Jacques Arcadelt. Ave Maria d'Arcedelt is is one of Liszt's...
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- Rolf Verbeek
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Franz Liszt, a deeply religious man, wrote several piano pieces with the title of 'Ave Maria'. One of these is based on a secular chanson of Jacques Arcadelt. Ave Maria d'Arcedelt is is one of Liszt's...
Franz Liszt, a deeply religious man, wrote several piano pieces with the title of 'Ave Maria'. One of these is based on a secular chanson of Jacques Arcadelt. Ave Maria d'Arcedelt is is one of Liszt's...
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- Rolf Verbeek
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
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- Christiaan Janssen
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
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- Christiaan Janssen
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About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
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- Martin Kirchharz
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About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
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- Martin Kirchharz
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Giovanni Gabrieli (1557-1612) was like his uncle and teacher Andrea, one of the developers of the Venetian antiphonal style. He also was a student by Orlando di Lasso and took the antiphonal style to...
Giovanni Gabrieli (1557-1612) was like his uncle and teacher Andrea, one of the developers of the Venetian antiphonal style. He also was a student by Orlando di Lasso and took the antiphonal style to...
- Concert Band, 4 Trumpets, 2 Horns and 2 Trombones
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- Andre Bodin
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Giovanni Gabrieli (1557-1612) was like his uncle and teacher Andrea, one of the developers of the Venetian antiphonal style. He also was a student by Orlando di Lasso and took the antiphonal style to...
Giovanni Gabrieli (1557-1612) was like his uncle and teacher Andrea, one of the developers of the Venetian antiphonal style. He also was a student by Orlando di Lasso and took the antiphonal style to...
- Concert Band, 4 Trumpets, 2 Horns and 2 Trombones
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- Andre Bodin
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
- Concert Band, Soloists and Choir
- Score and Parts Download
- Christiaan Janssen
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
- Concert Band, Soloists and Choir
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- Christiaan Janssen
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When you hear the composer name Faure, you automatically think of the well-known French composer Gabriel Fauré (1845-1924). Much less well known is Jean-Baptiste Faure (1830 - 1914) who was a celebrat...
When you hear the composer name Faure, you automatically think of the well-known French composer Gabriel Fauré (1845-1924). Much less well known is Jean-Baptiste Faure (1830 - 1914) who was a celebrat...
- Brass Ensemble and Timpani
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- Gottfried Veit
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When you hear the composer name Faure, you automatically think of the well-known French composer Gabriel Fauré (1845-1924). Much less well known is Jean-Baptiste Faure (1830 - 1914) who was a celebrat...
When you hear the composer name Faure, you automatically think of the well-known French composer Gabriel Fauré (1845-1924). Much less well known is Jean-Baptiste Faure (1830 - 1914) who was a celebrat...
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- Gottfried Veit
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Marc-Antoine Charpentier (1643-1704) was a French Baroque composer during the reign of Louis XIV. Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality o...
Marc-Antoine Charpentier (1643-1704) was a French Baroque composer during the reign of Louis XIV. Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality o...
- 2 Trumpets, Horn, Trombone, Tuba and Timpani
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- Bruno Peterschmitt
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Now thank we all our God is a popular Christian hymn. It is a translation from the German "Nun danket alle Gott", written circa 1636 by Martin Rinkart (1586-1649), which in turn was inspired by Sirach...
Now thank we all our God is a popular Christian hymn. It is a translation from the German "Nun danket alle Gott", written circa 1636 by Martin Rinkart (1586-1649), which in turn was inspired by Sirach...
- 2 Piccolo Trumpets, 4 Trumpets, 4 Horns, 4 Trombones, 2 Tubas and Timpani
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- David Miller
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Allerseelen' ('All Souls' Day'), is a song ('Lied') composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss...
Allerseelen' ('All Souls' Day'), is a song ('Lied') composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss...
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 4 Horns, Bassoon and Counter Bassoon
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- Miguel Etchegoncelay
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Allerseelen' ('All Souls' Day'), is a song ('Lied') composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss...
Allerseelen' ('All Souls' Day'), is a song ('Lied') composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss...
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 4 Horns, Bassoon and Counter Bassoon
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- Miguel Etchegoncelay
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