Sheet Music for Mixed Choir (SATB)

Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...

Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...

Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...

The first of Beethoven's two Mass settings is decidedly modern and forward-looking in its subjective, confessional tonal language. It opens up completely new worlds of expression for the liturgical te...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio in the 18th century. The text of the Bible is completely t...

Das 'Requiem in c' von Johann Michael Haydn hatte großen Einfluss auf W. A. Mozarts Requiem-Vertonung. In nur zwei Wochen komponierte J. M. Haydn sein Werk im Dezember 1771 anlässlich des Todes seines...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...

This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan.  Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-...

In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...

In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...

Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It pre...

Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It pre...

Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the compose...

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...

Jan Dismas Zelenka's Missa Dei Filii ZWV 20 is the second of the three surviving 'Missae ultimae', but like other 'short masses' in the 18th century it consists only of Kyrie and Gloria. Nevertheless,...

Zum 270. Geburtstag des Klassikkomponisten Justin Heinrich Knecht erscheint dessen 'Magnificat' beim Strube Verlag als Erstausgabe, basierend auf dem Originalmanuskript der Staatsbibliothek Berlin. Kn...