Coro SSTT, 2 Instr, Cb, Org - Tonart g-dorisch
- Mixed Choir (SSTT), 2 Instruments, Double Bass and Organ
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Fav SSTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr]
Fav SSTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr]
- 2 Choirs, 2 Violins, Double Bass and Organ
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Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart G-Mixolydisch
Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart G-Mixolydisch
- 2 Choirs, 2 Violins, Bassoon, Double Bass and Organ
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Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart d-dorisch
Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart d-dorisch
- 2 Choirs, 2 Violins, Bassoon, Double Bass and Organ
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Coro SSATB, 2 Vl, Cb, Org - Tonart G-Mixolydisch
Coro SSATB, 2 Vl, Cb, Org - Tonart G-Mixolydisch
- Mixed Choir (SSATB), 2 Violins, Double Bass and Organ
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With "Vater unser, der du bist im Himmel" (SWV 411) from the renowned Symphoniae Sacrae III, Heinrich Schütz created a deeply moving setting of the Lord's Prayer. This masterpiece of the German early...
With "Vater unser, der du bist im Himmel" (SWV 411) from the renowned Symphoniae Sacrae III, Heinrich Schütz created a deeply moving setting of the Lord's Prayer. This masterpiece of the German early...
- 2 Choirs, 2 Violins, Double Bass and Organ
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Immerse yourself in the magnificent soundscape of the early Baroque with Heinrich Schütz’s masterwork "Siehe, wie fein und lieblich ist's" (SWV 412). Featured as an excerpt from the celebrated Symphon...
Immerse yourself in the magnificent soundscape of the early Baroque with Heinrich Schütz’s masterwork "Siehe, wie fein und lieblich ist's" (SWV 412). Featured as an excerpt from the celebrated Symphon...
- 2 Choirs, 2 Violins, Bassoon, 2 Instruments, 2 Double Basses and Organ
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Coro SSATTB, 2 Vl, Cb, Org
- Mixed Choir (SSATTB), 2 Violins, Double Bass and Organ
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Fav SSATB, 2 Vl, Fg, Cb, Org, [Cap SATB, 4 Instr] - Tonart g-dorisch
Fav SSATB, 2 Vl, Fg, Cb, Org, [Cap SATB, 4 Instr] - Tonart g-dorisch
- 2 Choirs, 2 Violins, Bassoon, Double Bass and Organ
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Experience one of the most poignant and dramatic masterpieces of the early Baroque with Heinrich Schütz’s "Saul, was verfolgst du mich" (SWV 415) from the groundbreaking Symphoniae Sacrae III. With gr...
Experience one of the most poignant and dramatic masterpieces of the early Baroque with Heinrich Schütz’s "Saul, was verfolgst du mich" (SWV 415) from the groundbreaking Symphoniae Sacrae III. With gr...
- 2 Choirs, 2 Violins, Bassoon, Double Bass and Organ
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Coro SSATTB, 2 Vl, Cb, Org
- Mixed Choir (SSATTB), 2 Violins, Double Bass and Organ
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Fav SMsTTBarB, 2 Vl, Cb, Org, [Cpl SATB/SATB, 8 Instr]
- 2 Choirs, 2 Violins, Double Bass and Organ
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Fav SSATTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr]
- 2 Choirs, 2 Violins, Double Bass and Organ
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Coro SATB, [4 Instr], Cb, Org - Partitur (ohne Umschlag)
Coro SATB, [4 Instr], Cb, Org - Partitur (ohne Umschlag)
- Mixed Choir (SATB), Double Bass and Organ
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La Weihnachts-Historie SWV 435 de Heinrich Schütz s'inscrit dans la tradition des mises en musique de l'histoire de la nativité qui, contrairement aux oratorios postérieurs, se limitent en grande part...
La Weihnachts-Historie SWV 435 de Heinrich Schütz s'inscrit dans la tradition des mises en musique de l'histoire de la nativité qui, contrairement aux oratorios postérieurs, se limitent en grande part...
- Mixed Choir (SATB), 2 Violins, 2 Viole da Gamba, 2 Recorders, 2 Trumpets, 2 Trombones and Continuo
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Ein noch viel zu wenig bekanntes Psalmkonzert von Heinrich Schütz für Solostimmen, Chor, 2 Violinen, 3 Posaunen und Basso continuo. Alternativ sind auch kleinere Besetzungen möglich. Vermutlich schrie...
Ein noch viel zu wenig bekanntes Psalmkonzert von Heinrich Schütz für Solostimmen, Chor, 2 Violinen, 3 Posaunen und Basso continuo. Alternativ sind auch kleinere Besetzungen möglich. Vermutlich schrie...
- Soloists (SSTTB), Mixed Choir (SATB), 2 Violins, 3 Trombones and Continuo
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Geistliches Konzert - Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr - Tonart G-Mixolydisch
Geistliches Konzert - Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr - Tonart G-Mixolydisch
- Choir, 2 Violins, 3 Trombones, Double Bass and Organ
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Mit seiner Auferstehungshistorie setzte Schütz die etwa siebzigjährige Tradition der Komposition biblischer Historien fort, die Friedrich Blume die 'eigenartigsten und geschichtlich bedeutendsten Leis...
Mit seiner Auferstehungshistorie setzte Schütz die etwa siebzigjährige Tradition der Komposition biblischer Historien fort, die Friedrich Blume die 'eigenartigsten und geschichtlich bedeutendsten Leis...
- Choir, Instrument and Organ
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Soli ST(A)TBarB, Coro SST(A)TBarB/SST(A), 2 Fl, 2 Vl, 2 Va, Bassi, Bc
- Soloists, Choir, 2 Flutes, Strings and Continuo
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In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
- Soloists, Mixed Choir (SATBarB), 2 Flutes, 2 Oboes, 2 Violins, 2 Violas, Double Bass and Continuo
- Score (Urtext) Download
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- Voice (high), Male Choir (TTBB), 4 Horns, 3 Trombones and Tuba
- Score Download
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En fin. He is an ecolier of whom I must not be ashamed, is how J. S. Bach summarized the qualities of his later son-in-law J. C. Altnickol. Among the few surviving works by Altnickol are two Sanctus o...
En fin. He is an ecolier of whom I must not be ashamed, is how J. S. Bach summarized the qualities of his later son-in-law J. C. Altnickol. Among the few surviving works by Altnickol are two Sanctus o...
- Choir (1 Part), 4 Violins, Viola and Basso continuo
- Piano reduction Download (Urtext)
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1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
- Mixed Choir (SSAATTBB), 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets and 3 Trombones
- Score Download
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Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
- Soloists (SATB), Mixed Choir (SATB), 4 Trumpets, 3 Trombones, Violin Solo, Harp and Organ
- Score (Urtext) Download
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Gounod's "Messe à la mémoire de Jeanne d'Arc" was composed in 1887 for a festive mass in Reims to commemorate the entry of the national heroine into the city on the occasion of the coronation of Charl...
Gounod's "Messe à la mémoire de Jeanne d'Arc" was composed in 1887 for a festive mass in Reims to commemorate the entry of the national heroine into the city on the occasion of the coronation of Charl...
- Soloists (SATB), Mixed Choir (SATB), 4 Trumpets, 3 Trombones, Violin Solo, Harp and Organ
- Piano reduction Download (Urtext)
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Sheet music download on all-sheetmusic.com
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