Urtext Edition
S,Str
- High Voice and Strings
- Instrumental Part: Viola (Urtext)
- Deutscher Verlag für Musik
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- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Strings and Basso continuo
- Study Score Download (Urtext)
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Study Score (Urtext) (Download)
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Kantate zum 3. Sonntag nach Trinitatis. Urtextausgabe C h o r w e r k e - Chorwerke mit Instrumental-Begleitung und Solo-Singstimme.
Kantate zum 3. Sonntag nach Trinitatis. Urtextausgabe C h o r w e r k e - Chorwerke mit Instrumental-Begleitung und Solo-Singstimme.
- Soloists, Mixed Choir (SATB), Piano and Orchestra
- Instrumental Part: Organ (Urtext)
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Kantate zum 3. Sonntag nach Trinitatis. Urtextausgabe C h o r w e r k e - Chorwerke mit Instrumental-Begleitung und Solo-Singstimme.
Kantate zum 3. Sonntag nach Trinitatis. Urtextausgabe C h o r w e r k e - Chorwerke mit Instrumental-Begleitung und Solo-Singstimme.
- Soloists, Mixed Choir (SATB), Piano and Orchestra
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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Kantate zum Michaelisfest (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (3), Trompete (3), Streicher, Bass...
Kantate zum Michaelisfest (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (3), Trompete (3), Streicher, Bass...
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Organ (Urtext)
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The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
- Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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- Also available for download!
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The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
- Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Viola (Urtext)
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To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Organ (Urtext)
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To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Viola (Urtext)
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Michael Ostrzyga
- Bärenreiter Verlag
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
- Michael Ostrzyga
- Bärenreiter Verlag
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Zwischen 1716 und 1717 komponierte Händel sein einziges oratorisches Werk in deutscher Sprache nach dem zu seiner Zeit beliebten Passionstext "Der für die Sünden der Welt gemarterte und sterbende Jesu...
Zwischen 1716 und 1717 komponierte Händel sein einziges oratorisches Werk in deutscher Sprache nach dem zu seiner Zeit beliebten Passionstext "Der für die Sünden der Welt gemarterte und sterbende Jesu...
- Soloists (SAATTBB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Walter Heinz Bernstein Andreas Köhs
- Bärenreiter Verlag
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Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" - both...
Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" - both...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...
Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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- Mixed Choir (SATB) and Orchestra
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Oratorium in 3 Teilen (englisch/deutsch)
- Mixed Choir (SATB) and Orchestra
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Utrechter Te Deum. Viola - Einzelstimme
Utrechter Te Deum. Viola - Einzelstimme
- Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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Soli, Gemischter Chor, Orchester - Kritischer Bericht; Gesamtausgabe
Soli, Gemischter Chor, Orchester - Kritischer Bericht; Gesamtausgabe
- Soloists, 2 Mixed Choirs (SATB) and Orchestra
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Urtext der Neuen Mozart-Ausgabe
- Mixed Choir (SATB) and Orchestra
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Oratorium (Grabmusik) - Oratorio(Funeral Music). Versions from 1767 and 180. Urtext of the Haydn Complete Edition. Viola - Einzelstimme
Oratorium (Grabmusik) - Oratorio(Funeral Music). Versions from 1767 and 180. Urtext of the Haydn Complete Edition. Viola - Einzelstimme
- Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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- Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Organ (Urtext)
- Bärenreiter Verlag
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- Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
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