Urtext Edition
Die 1648 veröffentlichte "Geistliche Chor-Music" gilt immer noch als eines der Schlüsselwerke von Heinrich Schütz. Nach der revidierten Neuausgabe durch Werner Breig erschien in den Jahren 2012 und 20...
Die 1648 veröffentlichte "Geistliche Chor-Music" gilt immer noch als eines der Schlüsselwerke von Heinrich Schütz. Nach der revidierten Neuausgabe durch Werner Breig erschien in den Jahren 2012 und 20...
- Mixed Choir (SSATB) and Continuo
- Choral Score (Urtext) Download
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Nach dem Urtext. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kfag, Horn (4), Trompete (2), Posaune (3), Pauke, Sc...
Nach dem Urtext. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kfag, Horn (4), Trompete (2), Posaune (3), Pauke, Sc...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Eike Wernhard
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- Soloists (ATB), Mixed Choir (SSATB) and Continuo
- Instrumental Part: Organ (Urtext)
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With the magnificent "Laudate Dominum Terzo" (SV 274) from the celebrated collection *Selva morale et spirituale*, Claudio Monteverdi created an exhilarating masterpiece of the early Baroque. Scored f...
With the magnificent "Laudate Dominum Terzo" (SV 274) from the celebrated collection *Selva morale et spirituale*, Claudio Monteverdi created an exhilarating masterpiece of the early Baroque. Scored f...
- 2 Mixed Choirs (SATB) and Continuo
- Instrumental Part: Organ (Urtext)
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Immerse yourself in the magnificent sonic world of the early Venetian Baroque with Claudio Monteverdi's masterful "Confitebor Terzo" (SV 267) from the renowned collection Selva morale et spirituale. T...
Immerse yourself in the magnificent sonic world of the early Venetian Baroque with Claudio Monteverdi's masterful "Confitebor Terzo" (SV 267) from the renowned collection Selva morale et spirituale. T...
- Soloists (SS), Mixed Choir (SSATB) and Continuo
- Instrumental Part: Organ (Urtext)
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- Mixed Choir (SATTB) and Continuo
- Instrumental Part: Organ (Urtext)
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- Mixed Choir (SATTB) and Continuo
- Instrumental Part: Organ (Urtext)
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- Mixed Choir (SATB) and Continuo
- Instrumental Part: Organ (Urtext)
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The Tantum ergo in A major, WAB 43, is one of Bruckner’s student pieces, preceding the later Tantum ergo settings, WAB 41/1-4. The parallel sixths and the ending evoke memories of late Viennese Classi...
The Tantum ergo in A major, WAB 43, is one of Bruckner’s student pieces, preceding the later Tantum ergo settings, WAB 41/1-4. The parallel sixths and the ending evoke memories of late Viennese Classi...
- Mixed Choir (SATB) and Organ
- Organ Score (Urtext) Download
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Bruckner’s Tantum ergo in B-flat major was performed on New Year’s Eve 1849 at St. Florian monastery, where the composer was employed as a teacher. This short work captivates with an expressive, beaut...
Bruckner’s Tantum ergo in B-flat major was performed on New Year’s Eve 1849 at St. Florian monastery, where the composer was employed as a teacher. This short work captivates with an expressive, beaut...
- Mixed Choir (SATB), 2 Trumpets, 2 Violins and Organ
- Choral Score (Urtext) Download
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Low Voice, Mixed Choir (SATB) and Piano
- Score (Urtext) Download
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Zur prachtvollen Eröffnung seiner Oratoriensaison Anfang 1736 präsentierte Händel eine Komposition, die ihm wie kaum ein anderes seiner oratorischen Werke die Gelegenheit zur Darstellung seiner musika...
Zur prachtvollen Eröffnung seiner Oratoriensaison Anfang 1736 präsentierte Händel eine Komposition, die ihm wie kaum ein anderes seiner oratorischen Werke die Gelegenheit zur Darstellung seiner musika...
- Soloists, Mixed Choir (SSATTB) and Piano
- Score (Urtext) Download
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Franz Schuberts beliebte 'Deutsche Messe' aus dem Jahre 1827 knüpft in ihrer Idee einer deutschsprachigen Ordinariumsvertonung an das 'Deutsche Hochamt' von Michael Haydn an. Aufgrund seiner homophone...
Franz Schuberts beliebte 'Deutsche Messe' aus dem Jahre 1827 knüpft in ihrer Idee einer deutschsprachigen Ordinariumsvertonung an das 'Deutsche Hochamt' von Michael Haydn an. Aufgrund seiner homophone...
- Concert Band, Mixed Choir and Organ
- Instrumental Part: Organ (Urtext)
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Immerse yourself in the radiant splendour of Baroque festivity: Johann Sebastian Bach’s celebrated cantata BWV 51, "Jauchzet Gott in allen Landen", is one of the most brilliant masterpieces of sacred...
Immerse yourself in the radiant splendour of Baroque festivity: Johann Sebastian Bach’s celebrated cantata BWV 51, "Jauchzet Gott in allen Landen", is one of the most brilliant masterpieces of sacred...
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Instrumental Part: Trumpet (Urtext)
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Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext)
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Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
- Instrumental Part: Organ (Urtext)
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Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo
Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo
- Low Voice, Mixed Choir (SATB), Oboe, Violin and Continuo
- Instrumental Part: Oboe (Urtext)
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Johann Sebastian Bach's moving cantata "Der Friede sei mit dir" (BWV 158) for the 3rd Day of Easter unfolds as an intimate masterpiece of profound depth and comforting Easter joy. This delicately scor...
Johann Sebastian Bach's moving cantata "Der Friede sei mit dir" (BWV 158) for the 3rd Day of Easter unfolds as an intimate masterpiece of profound depth and comforting Easter joy. This delicately scor...
- Low Voice, Mixed Choir (SATB), Oboe, Violin and Continuo
- Instrumental Part: Organ (Urtext)
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Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. Again and again he occupied himself with his psalm motet for s...
Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. Again and again he occupied himself with his psalm motet for s...
- Voice (high), Mixed Choir (SATB), 4 Saxophones (SATB), 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Organ (Urtext)
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Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
- Voice (high), Mixed Choir (SATB), 4 Saxophones (SATB), 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Viola (Urtext)
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Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
- Voice (high), Mixed Choir (SATB), 4 Saxophones (SATB), 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Cello (Urtext)
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Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
- Voice (high), Mixed Choir (SATB), 4 Saxophones (SATB), 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Double Bass (Urtext)
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There is hardly any reliable information about the origin of this mass, which was composed between 1773 and 1776. The title goes back to the founder of the Order of the Brothers of Mercy, St. John of...
There is hardly any reliable information about the origin of this mass, which was composed between 1773 and 1776. The title goes back to the founder of the Order of the Brothers of Mercy, St. John of...
- Voice (high), Mixed Choir (SATB), 2 Violins, Viola and Organ
- Instrumental Part: Organ (Urtext)
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There is hardly any reliable information about the origin of this mass, which was composed between 1773 and 1776. The title goes back to the founder of the Order of the Brothers of Mercy, St. John of...
There is hardly any reliable information about the origin of this mass, which was composed between 1773 and 1776. The title goes back to the founder of the Order of the Brothers of Mercy, St. John of...
- Voice (high), Mixed Choir (SATB), 2 Violins, Viola and Organ
- Instrumental Part: Violone (Urtext)
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