Urtext Edition
During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, among which his Oratorio de Noël has enjoyed great worldwide popularity. The colorful and opulently...
During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, among which his Oratorio de Noël has enjoyed great worldwide popularity. The colorful and opulently...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
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Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...
Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
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Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...
Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Organ (Urtext)
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Set of Parts - Wind Instruments (Urtext)
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Instrumental Part: Viola (Urtext)
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ships within 2-5 working days
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Instrumental Part: Cello (Urtext)
- Carus-Verlag
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ships within 2-5 working days
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Instrumental Part: Viola (Urtext)
- Carus-Verlag
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ships within 2-5 working days
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Instrumental Part: Cello (Urtext)
- Carus-Verlag
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ships within 2-5 working days
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Instrumental Part: Organ (Urtext)
- Carus-Verlag
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ships within 2-5 working days
With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...
With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...
- Soloists, Mixed Choir and Orchestra
- Study Score Download (Urtext)
- Carus-Verlag
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immediately available
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With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...
With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...
- Soloists, Mixed Choir and Orchestra
- Study Score Download (Urtext)
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Die Choralkantate Straf mich nicht in deinem Zorn entstand vermutlich 1771 und greift eine Dichtung von Johann Georg Albinus über den 6. Psalm auf. Die sieben Strophen der Vorlage werden in sieben Sät...
Die Choralkantate Straf mich nicht in deinem Zorn entstand vermutlich 1771 und greift eine Dichtung von Johann Georg Albinus über den 6. Psalm auf. Die sieben Strophen der Vorlage werden in sieben Sät...
- Soloists (STB), 2 Mixed Choirs (SATB) and Orchestra
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The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
- Soloists (STB), 2 Mixed Choirs (SATB) and Orchestra
- Set of Parts - Harmony (Urtext)
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The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
- Soloists (STB), 2 Mixed Choirs (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
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ships within 2-5 working days
The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
- Soloists (STB), 2 Mixed Choirs (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
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The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in clos...
The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in clos...
- Soloists (SATBB), Mixed Choir (SATB) and Orchestra
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Thunder as a symbol of the merciless and uncontrollable forces of nature: The composition of Telemann's "Donner-Ode" is closely linked to the traumatic earthquake in Lisbon in 1755. The characteristic...
Thunder as a symbol of the merciless and uncontrollable forces of nature: The composition of Telemann's "Donner-Ode" is closely linked to the traumatic earthquake in Lisbon in 1755. The characteristic...
- Soloists (SATBB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
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Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Score (Urtext) Download
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immediately available
Download immediately after ordering - Instant download
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Viola (Urtext)
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ships within 2-5 working days
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Cello (Urtext)
- Carus-Verlag
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ships within 2-5 working days
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Double Bass (Urtext)
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ships within 2-5 working days
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Organ (Urtext)
- Carus-Verlag
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ships within 2-5 working days
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