Bernhard Päuler

Quartet I: C major, Quartet II: G major

In op. 47, which enriches the literature with two cellos, Scholz achieves a passion and warmth of expression, a 'higher peculiarity of reflection on the essential' that should make music makers sit up...

In an impressive manner, Czerny underwent the 'duty' of bearing witness to his mastery of fugue composition in the quintets. The sonority is grandiose.

This collaborative work by cousins Andreas and Bernhard is particularly appealing because it captures the specific tonal color of the violin and cello playing pair. Pedagogically progressive in design...

The 3rd sonata of the organ sonatas is presented here in the original key of D minor. Following the conventions of Bach's time, we gave the ingenious work a new garb for 2 violins and bc.

These attractive violin trios—intended largely for pedagogical purposes and designed to make full use of the instrument's tonal range—are a fine example of Hofmann’s efforts to open up the world of ch...

Source: 'Six Duo Dialogues par M.Cambini oeuvre 49 / Chez M.Boyer, Paris'

The bass part's independence is evidenced by the carefully placed phrasings as well as the imitative interpolations to the upper voice that break the continuo scheme and the inflections of the octave...