Clive Brown

A pioneering set of Urtext editionsString editions include an Urtext solo part and a second part with fingering as well as performance markingsEach edition offers a preface on performance practice asp...

Kadenzen zu diesem Werk von Ferruccio Busoni in EB 4779 und Tossy Spivakowsky in EB 6460

The first three movements of Johannes Brahms’ E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mi...

In May of 1802, the 'Allgemeine musikalische Zeitung' praised the violin sonatas op. 23 and 24 as being '... among the best Beethoven has written, which is to say that they are among the best being wr...

Piano reduction by the composer

Bärenreiter's pioneering scholarly-critical editions of Brahms' works for one instrument and piano (BA9429, BA9430, BA9431, BA9432, BA9433, BA10911, BA10908, BA10907, BA10906) are edited by a team of...

> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...

The first three movements of Johannes Brahms’ E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mi...

> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...

> A pioneering Urtext edition > With an extensive Performance Practice Commentary > For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Jo...

Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...

Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...

The genesis and source history of Beethoven's 'Choral Fantasy' is convoluted and poses considerable difficulties for today's research. A definitive 'last hand version' does not exist.

The genesis and source history of Beethoven's 'Choral Fantasy' is convoluted and poses considerable difficulties for today's research. A definitive 'last hand version' does not exist.

> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...

An autograph fragment of the Violin Sonata op. 47 is titled, in Beethoven's hand, 'Sonata mulattica composta per il mulatto Brischdauer, gran pazzo e compositore mulattico' - meaning 'Mulatto Sonata c...

With an Urtext solo part and an arranged solo part

With an Urtext solo part and an arranged solo part

With one Urtext solo part and one arranged solo part each

Johannes Brahms The works for one instrument and piano Johannes Brahms' compositions for one instrument and piano became part of the standard chamber music repertoire soon after they were written. Whi...

> A pioneering set of Urtext editions > String editions include an Urtext solo part and a second part with fingering as well as performance markings > Each edition offers a preface on performance prac...

This new, urtext edition of Weber's Mass in Eb J224 is prepared from the composer's manuscript by the scholar Clive Brown, and includes the previously unpublished Offertorium J226. Instrumentation: 22...