Jean-Philippe Rameau

Amongst Rameau’s stage works which have come down to us in two main versions, such as “Dardanus“ (1739, 1744), “Platée“ (1745, 1749) and “Zoroastre“ (1749, 1756), none fell into oblivion for as long a...

Of the two main versions of Rameau's stage works such as "Dardanus" (1739, 1744), "Platée" (1745, 1749) and "Zoroastre" (1749, 1756), none fell into oblivion for as long as "Castor et Pollux". First p...

Richer than ever - Rameau's "Zoroastre" in the 1756 version Rameau's revised version of his opera "Zoroastre", which was performed and heard at the Académie royale de musique between January 20, 1756...

In Rameau's operatic oeuvre, "Io" is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector fr...

In Rameau's operatic oeuvre, "Io" is certainly the work surrounded by the most mystery: the acte de ballet has only survived in the form of a copy of the score and parts, which a collector from the ge...

Rameau's ballet-opera "Zéphire" is based on the legend of Zephire and Flora, as immortalized by Ovid in the fifth book of his "Fasti". Zéphire, the god of the west wind, loves Chloris, a forest nymph...

Rameau's ballet opera "Zéphire" is based on the legend of Zephire and Flora, as immortalized by Ovid in the fifth book of his "Fasti". Zéphire, the god of the west wind, loves Chloris, a wood nymph of...

It tells the love story between Fatime, accused of murdering her father, and the king's son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of Castile...

> Detailed historical Introductions (Fr/Eng) > Well-presented idiomatic piano reduction based on Rameau's 'Opera Omnia' > Each number is preceded by a brief account of the dramatic situation and an En...

Volume 3 for soprano contains the first half of the large-scale arias and ariettas that Rameau composed for lyric soprano (the 18th-century equivalent of today's lyric coloratura soprano) in his prolo...

This volume contains half of the great monologues, arias and ariettas which Rameau composed for 'haute-contre' and which are sung by high tenors today. Arias for haute-contre (tenor) from the operas '...

> Detailed historical Introductions (Fr/Eng) > Well-presented idiomatic piano reduction based on Rameau's 'Opera Omnia' > Each number is preceded by a brief account of the dramatic situation and an En...

Vierstimmiger Männerchor

Transponierte Fassung, Originalfassung: Carus 21.009/00

The three great motets Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed between 1713 and 1715, have remained relatively unknown to this day. And yet these mot...

The three great motets Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed between 1713 and 1715, are still relatively unknown today. The reason for this can be...

Jean-Philippe Rameau (1683-1764) ist heute vor allem als Musiktheoretiker ein Begriff, obwohl er auch ein bemerkenswerter Komponist war. Vom Besuch zweier amerikanischer Ureinwohner aus Louisiana in P...

Immortal Jean-Philippe Rameau! The 'Hymne a la nuit ' from the opera Hippolyte et Aricie (Rameau didn't he composed over 300 operas ...) is one of those melodies that, when you start to hum, doesn't l...