John Michael Cooper

The setting of the 42nd Psalm 'Wie der Hirsch schreit nach frischem Wasser' op. 42 for soloists, choir and large orchestra was composed in 1837. For the present edition, the renowned Mendelssohn speci...

Soprano solo, alto solo, tenor solo, bass solo, gemCh (SATB), piano, trombone (3), timpani, strings, organ - piano reduction; Urtext edition

Ballad by Goethe for soloists, choir and orchestra - piano reduction by the composer Edited by John Michael Cooper Text by Johann Wolfgang von Goethe In the summer of 1799, Goethe wrote his ballad Th...

This is one of two short sacred choruses and two sacred songs on the same texts that Bonds composed in 1968. Bonds originally composed the work for solo voice and piano, then arranged it for chorus wi...

> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...

Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...

For chorus and orchestra, this work has been relatively unknown work. It uses colorful orchestra textures to support the choral writing.

> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...

Ballade von Goethe für Soli, Chor und Orchester Herausgegeben von John Michael Cooper Text von Johann Wolfgang von Goethe Im Sommer 1799 schrieb Goethe seine Ballade Die erste Walpurgisnacht und bat...

In 1969, soprano Leontyne Price commissioned Bonds to set I Wish I Knew How It Would Feel to Be Free and three other spirituals for performance with the Rust College A Cappella Choir. The setting refl...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

Soprano solo, alto solo, tenor solo, bass solo, gemCh (SATB), piano, trombone (3), timpani, strings, organ - piano reduction; Urtext edition

Felix Mendelssohn Bartholdy completed his first oratorio - "Paulus" op. 36 - in 1836 at the age of 27. The first version, which was premiered on May 22, 1836, underwent extensive revision. This second...

Ballad by Goethe for soloists, choir and orchestra - piano reduction by the composer Edited by John Michael Cooper Text by Johann Wolfgang von Goethe In the summer of 1799, Goethe wrote his ballad Th...

The setting of the 42nd Psalm 'Wie der Hirsch schreit nach frischem Wasser' op. 42 for soloists, choir and large orchestra was composed in 1837. For the present edition, the renowned Mendelssohn speci...

The setting of Psalm 98 was written within a few weeks as a commissioned composition in Mendelssohn's new position as Prussian General Music Director and was premiered by the Berlin Cathedral Choir on...