Jonathan Del Mar

Preußischer Kulturbesitz, dem Beethoven-Haus Bonn und der Bibliothèque nationale de France - Documenta musicologica II/42 - Bärenreiter Facsimile

> Includes the original London version of the second movement > Foreword by Dvorák scholar Smaczny (Cz/Eng/Ger) Dvorák's Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1...

With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of Antonín Dvorák's music. For a long time, the performance material for this work has been notorio...

> Includes Dvorák's final and definitive version of the solo cello part > Incorporates new discoveries regarding the collaboration between Dvorák and Wihan > With Feuermann's and Casals's alternative...

> Urtext editions at the cutting edge of scholarship > Reference editions for pianists, students, conductors and libraries > Each score contains an Introduction by Barry Cooper (Ger/Eng) Having publis...

> Urtext editions at the cutting edge of scholarship > Reference editions for pianists, students, conductors and libraries > Each score contains an Introduction by Barry Cooper (Ger/Eng) Having publis...

> Urtext editions at the cutting edge of scholarship > Reference editions for pianists, students, conductors and libraries > Each score contains an Introduction by Barry Cooper (Ger/Eng) Having publis...

> Urtext editions at the cutting edge of scholarship > Reference editions for pianists, students, conductors and libraries > Each score contains an Introduction by Barry Cooper (Ger/Eng) Having publis...

> Urtext editions at the cutting edge of scholarship > Reference editions for pianists, students, conductors and libraries > Each score contains an Introduction by Barry Cooper (Ger/Eng) Having publis...

Beethoven was almost thirty years old when he ventured to compose a string quartet for the first time. Could he have been intimidated by the influential models of this young genre of Haydn and Mozart?...

> Urtext edition at the cutting edge of scholarship, with detailed separate Critical Commentary (Eng) > Parts ideally laid out for performance purposes This new scholarly-critical edition of String Qu...

Obwohl Beethoven die Veröffentlichung seiner Streichquartette op. 130 und op. 133 nicht mehr erlebt hat, begleitete er doch den Produktionsprozess, indem er Korrekturen vornahm und den Werken ihre end...

Although Beethoven did not live to see the publication of his String Quartets op. 130 and op. 133, he nevertheless accompanied the production process by making corrections and giving the works their f...

Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that th...

After years of several personal and creative crises, the last two years of Beethoven's life were marked by an irrepressible creative urge that was directed almost exclusively towards the string quarte...

a tremendous work, tremendously special in the lyrical movement and the indescribable last (Thomas Mann) After years of several personal and creative crises, the last two years of Beethoven's life wer...

The String Quartet op. 127 marks the beginning of a series of five works in this genre, which Ludwig van Beethoven predominantly occupied himself with during the last years of his life and after sever...