Matthias Wendt
Kantate zum 15. Sonntag nach Trinitatis. Sopran solo, Trompete, Violine (2), Viola, Basso continuo - Klavierauszug; Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Sopran solo, Trompete, Violine (2), Viola, Basso continuo - Klavierauszug; Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice and Piano
- Piano Reduction (Urtext)
- Martin Focke
- Bärenreiter Verlag
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
- Instrument and Piano
- Score and Critical Comment
- Schott Musik
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
- Soloists, Choir and Chamber Orchestra
- Score and Critical Comment
- Schott Musik
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
- Orchestra
- Score and Critical Comment
- Schott Musik
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
- Voice
- Score
- Schott Musik
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in stock
ships within 1-2 working days
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
- Literature
- Critical Comment
- Schott Musik
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Kantate zum Fest Mariae Verkündigung. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Horn (2), Oboe (2), Streicher, Orgel/ Basso continuo - Klavierauszug; Urtextausgabe
Kantate zum Fest Mariae Verkündigung. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Horn (2), Oboe (2), Streicher, Orgel/ Basso continuo - Klavierauszug; Urtextausgabe
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction
- Martin Focke
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The cantata "Wie schön leuchtet der Morgenstern" (BWV 1) was composed on March 25, 1725, when the Feast of the Annunciation coincided with Palm Sunday. It forms the conclusion of Bach's choral cantata...
The cantata "Wie schön leuchtet der Morgenstern" (BWV 1) was composed on March 25, 1725, when the Feast of the Annunciation coincided with Palm Sunday. It forms the conclusion of Bach's choral cantata...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
- Martin Focke
- Bärenreiter Verlag
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immediately available
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- Mixed Choir (SATB)
- Choral Score Download
- Bärenreiter Verlag
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immediately available
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Kantate zum 19. Sonntag nach Trinitatis. Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe (deutsch/englisch). Bass solo, Gemischter Chor-SATB, Oboe (2), Englischhorn, Streicher, Basso continuo
Kantate zum 19. Sonntag nach Trinitatis. Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe (deutsch/englisch). Bass solo, Gemischter Chor-SATB, Oboe (2), Englischhorn, Streicher, Basso continuo
- Low Voice, Mixed Choir (SATB) and Piano
- Piano Reduction
- Olga Kroupová
- Bärenreiter Verlag
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Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...
Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...
- Low Voice, Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Olga Kroupová
- Bärenreiter Verlag
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immediately available
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The solo cantata "Jauchzet Gott in allen Landen", composed around 1730 for the 15th Sunday after Trinity, is one of Johann Sebastian Bach's best-known cantata compositions. The scoring with solo sopra...
The solo cantata "Jauchzet Gott in allen Landen", composed around 1730 for the 15th Sunday after Trinity, is one of Johann Sebastian Bach's best-known cantata compositions. The scoring with solo sopra...
- High Voice and Piano
- Piano reduction Download (Urtext)
- Martin Focke
- Bärenreiter Verlag
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- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Wind Score (Urtext)
- Wilhelm Friedemann Bach
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Bach's famous cantata for solo soprano, trumpet, strings and basso continuo BWV 51, "Jauchzet Gott in allen Landen", was probably composed in Leipzig in 1730. The soprano and trumpet parts in particul...
Bach's famous cantata for solo soprano, trumpet, strings and basso continuo BWV 51, "Jauchzet Gott in allen Landen", was probably composed in Leipzig in 1730. The soprano and trumpet parts in particul...
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Wind score Download (Urtext)
- Wilhelm Friedemann Bach
- Bärenreiter Verlag
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Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe
- Mixed Choir (SATB) and Orchestra
- Score (Urtext)
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Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe
- Mixed Choir (SATB) and Orchestra
- Score (Urtext)
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Das 4. Internationale Schumann-Symposion 1991 wurde einem Thema gewidmet, das in Schumanns Leben und Schaffen von zentraler Bedeutung ist: Robert Schumann und seine Dichter. Bereits im Vorfeld und in...
Das 4. Internationale Schumann-Symposion 1991 wurde einem Thema gewidmet, das in Schumanns Leben und Schaffen von zentraler Bedeutung ist: Robert Schumann und seine Dichter. Bereits im Vorfeld und in...
- Literature
- Lyrics only
- Schott Musik
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Bericht über das 7. Internationale Schumann-Symposium am 20. und 21. Juni 2000 im Rahmen des 7. Schumann-Festes, Düsseldorf Dieser Band brind Neues über Schumanns internationale Kontakte und Rezeption...
Bericht über das 7. Internationale Schumann-Symposium am 20. und 21. Juni 2000 im Rahmen des 7. Schumann-Festes, Düsseldorf Dieser Band brind Neues über Schumanns internationale Kontakte und Rezeption...
- Literature
- Book
- Schott Musik
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...
- Score
- Schott Musik
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At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of...
At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of...
- Men's Chorus (8 Parts)
- Choral Score
- Schott Musik
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At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of th...
At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of th...
- 2 Men's Choruss and Organ
- Piano Reduction
- Matthias Wendt Brigitte Kohnz
- Schott Musik
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At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of th...
At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of th...
- 2 Men's Choruss and Organ
- Piano Reduction Download
- Matthias Wendt
- Schott Musik
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immediately available
Download immediately after ordering - Instant download
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Instrumental Part: Trumpet (Urtext)
- Bärenreiter Verlag
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Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1 (Urtext)
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