Yvonne Morgan

Edited from the first edition.

First Edition

The rediscovery of the three flute quartets op.99 is an event. The tonal flair, the inimitable melodic melting of the movements are unparalleled.

Rarely has writing for flute quartet been so beguilingly beautiful and ingratiating in a minor key. The pre-Romantic jewel needs no recommendation for permanent appropriation.

This work in C major is the crowning finale of the edition of all 11 extant flute quartets. They WILL become common property for this instrumentation in the near future.

Edited from the First edition.

First published around 1786, this work is a splendid example of chamber music with obbligato harpsichord that still bears late Baroque traits, evident in the alternating periods between solos and the...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Barrière's works, influenced by Italian-inspired subject matter, with their varied, often highly ornamented melodies and frequently bold harmonies, and his playing were met with great respect and admi...

In the sister work of the quintet, also in G minor, the variable coloring of the melodies and the strong tonal contrasts with sparing use of the accompanying voices are particularly noteworthy in all...

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.

With this trio from the important collection 'Essercizii Musici', Amadeus presents all four trios with obbligato harpsichord as the second melodic part; with a finely tuned realization of the bass to...

First Edition

In anticipation of changing tastes, Fasch also gives free rein to the elaboration of melodic ideas in this sonata out of canonic rigor: in the process, he becomes one of the decisive pioneers of the n...

According to the new edition, corrected by the composer himself, of the first print of parts. Schlesinger / Op. 34 Prix Rrt 16 gr. / No. 183

From the series: Aurea Amadeus, No. 338.