Sheet Music for Choir

This verse anthem with organ was probably Handel's first contribution to English church music and possibly his first setting of an extended English language text. As pants the Hart is undated and ther...

Anthem for soprano solo, SATB chorus and organ. English words by William Bartholomew.

Ave Verum for Soprano solo, SATB choir, and organ. English and Latin text.

An anthology of Carols and Anthems by Kenneth Leighton, one of the most distinguished of the British post-war composers, chiefly regarded today for his choral output. This anthology includes many piec...

John Stainer's I Saw The Lord is a beautiful Anthem for Double SATB Choir and organ. This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph e...

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

Nunc autem manet was written for the wedding of Paul and Angharad de Cates in 2010. The text is taken from Corinthians 13:13 - 'Now but three things remain: faith, hope, love. But of these three the g...

The harmonic language of Ave verum is rich and full flavoured, without being strongly dissonant. There is chromatic angst in the middle section, in which the melodic line of the opening is inverted in...

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

This edition features fresh engravings and a paragraph explaining the historical background and context of the work.

The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word s...

This setting of the opening to Psalm 102 was composed in the early 1680s. Purcell, who was in his early twenties, had succeeded John Blow as organist of Westminster Abbey around the beginning of the d...

This edition is newly published in a fresh engraving. It also includes a paragraph explaining the historical background and context of the work.

This edition features fresh engravings with a paragraph explaining the historical background and context of the work.

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

The third of a set of four madrigals on rose texts, 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the Univer...

An exciting new choral setting of Elgar's beloved 'Nimrod' from the 'Enigma' Variations by David Hill, this version for choir and organ should be a firm favourite for choirs around the world.

Music for Royal Occasions is an exciting volume of pieces written for coronations and other royal celebrations over the past five centuries. It includes long-standing favourites, such as Handel's Zado...

The world premiere of Patrick Hawes' Te Deum took place on 21st July 2011 in Lancaster, Ohio, USA, performed by Lancaster Chorale and Lancaster Festival Orchestra.

First performed on 14th March 2008 at The Cadogan Hall, London, by The English Chamber Orchestra, The Tallis Chamber Choir and Conventus, conducted by the composer. For SATB divisi chorus and piano.

Jubilate! Jubilee! by Paul Mealor was commissioned by Making Music, with funds provided by the British Council, to celebrate the Diamond Jubilee of HM Queen Elizabeth II. Vocal Score for SATB divisi c...

Crucifixus by Paul Mealor is here presented in a version for Baritone solo, SATB choir and Piano accompaniment. Crucifixus was commissioned by the sound Festival, and premiered by the National Youth C...

Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple...