New Imports

This setting of the familiar opening lines of Henry Vaughan’s 'The World' was Lucy Walker's first commission as Composer-in-Residence with St Martin’s Voices, and was premiered by the ensemble in June...

Commissioned by St Martin’s Voices to mark Remembrance Day in 2024, There will come soft rains showcases the range of the choir’s musical colour-palette through the repetition of the opening motif in...

Love Flows was commissioned by the Choir of Wells Cathedral and Alexander Hamilton to mark the occasion of the installation of the Reverend Canon Toby Wright as Dean of Wells in June 2024. The etherea...

Written for the BBC Singers in 2019, Stars above, earth below is a hopeful and reflective setting of the poem Leaves by Sara Teasdale (1884–1933). The piece begins with celestial, descending lines acr...

Daybreak by Christi Jones, with contributions from her teenage son Carson Jones, is a powerful a cappella piece for developing mixed choir featuring body percussion. The music begins in a haunting min...

Melissa Roth Young’s Lux Aeterna offers a beautiful and heartfelt setting of the timeless Latin text, long used to honor those who have gone before us. The music reflects the text’s message of hope am...

This powerful setting of George Matheson's words juxtaposes ideas of yearning and resting within the text. The tension within the harmonies of this setting will linger through lengthy phrases, but rep...

Russ Robinson's arrangement of Be Thou My Vision is simplistic yet elegant. His addition of "color chords" adds musical interest without taking away from the original melody and harmonies.

The fact that Miklós Rózsa wrote choral works in addition to film scores, orchestral works and chamber music is only known to a few people today. The best known is the motet "To Everything There Is a...

The motet "The Vanities of Life" op. 30 was written by Miklós Rózsa in 1964 as a commission for the Pacific Lutheran University Choir in Tacoma, Washington. The choir performed the work for the first...

In most mass compositions, the text that will be celebrated in 2025 is central. It was published for the first time at the Council of Nicaea in 325 – 1700 years ago. The final form of the Nicene Creed...

In most mass compositions, the text that will be celebrated in 2025 is central. It was published for the first time at the Council of Nicaea in 325 – 1700 years ago. The final form of the Nicene Creed...

In most mass compositions, the text that will be celebrated in 2025 is central. It was published for the first time at the Council of Nicaea in 325 – 1700 years ago. The final form of the Nicene Creed...

In most mass compositions, the text that will be celebrated in 2025 is central. It was published for the first time at the Council of Nicaea in 325 – 1700 years ago. The final form of the Nicene Creed...

A valuable enrichment in the repertoire of ambitious chamber, church and oratorio choirs! Stephan Görg has created an impressive "Agnus Dei": in three increasing waves, Görg develops the call for merc...

A valuable enrichment in the repertoire of ambitious chamber, church and oratorio choirs! Stephan Görg has created an impressive "Agnus Dei": in three increasing waves, Görg develops the call for merc...

During his stay in Rome in 1841 and 1842, Hiller and his family were the center of the German artists' colony in the "eternal city". The versatile composer studied Roman vocal polyphony after Giovanni...

From the Jennaya Robison Choral Series, his setting of texts by Brian Newhouse explores the relationship between the body, mind, and spirit. The a cappella trilogy is best suited for collegiate, churc...

O Come Freedom was commissioned by the Capitol Hill Chorale for a joint performance with Washington Revels in 2024. It is a free adaptation of three Shaker songs transcribed from a manuscript in the L...

Midwintersong is written for the winter solstice and is intended to be sung by as many as possible. The song originated around bonfires as a teachable singalong and has been formalized into the choral...

A work that will move both the performer and the listeners, the text explores the extreme conditions of the Holocaust and the impact on its victims, for advanced choirs.

A sonnet that contemplates a solitary figure standing between darkness and light. The poem’s imagery—marble stillness, Cleopatra’s defiant resolve, and a beacon shining through storm—suggests a quiet...

A stunning new work in the VOCES8 series based on early chant. This piece works for both church and concert settings.

For university and community choirs, this setting of a Christina Rossetti poem captures the spirit and essence of the poetry. It utilizes creative vocal colors and is a rewarding experience for the si...