Symétrie

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...

So rich and various is the orchestral writing of The Cunning Little Vixen that countless possibilities are opened up for adaptation. The aim of the present one is to bring the luminous complexity of t...

Details: 1 flute (also playing the flute in G, the piccolo flute and a rain stick), 1 bass clarinet in B-flat (also playing the clarinet in E-flat and a rain stick), 1 violin, 1 cello, 1 piano, a perc...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Jules Massenet, who became known through his operas Manon (1884), Werther (1892) and Don Quichotte (1920), also composed four operettas at the beginning of his career. These operettas were only known...

Gossec wrote the 6 Symphonies opus 6 in 1762 while he was the music intendant for the Princes of Condé and Conti. The third one in C minor is a 3-movement symphony, like the vast majority of the symph...

According to the original edition, this symphony was first performed at the Concert des amateurs—a concert society in competition with the Concert spirituel​—in 1777, the year Le Duc died. It shows a...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

Details: flute, flute in G, clarinet bassoon, saxophone, paino, violin, viola, cello, 2 percussion instruments, 8-track sound system

The scene published here is taken from the first act. It consists of seven main sections, with an overall structure of three parts: soliloquy - dialogue - duet. We see first of all Phaon, who is singi...

The scene published here is taken from the first act. It consists of seven main sections, with an overall structure of three parts: soliloquy - dialogue - duet. We see first of all Phaon, who is singi...

In his Fantaisie Ballade for pedal harp, the composer's only known piece for the solo Érard harp, La Tombelle did not take the main theme from any specific traditional song, but played the artifice of...

This piece is the result of the fascination exerted by the very specific timbre of the clarinet and of the admiration for Claude Debussy's Syrinx. The idea is to make the clarinet sing with a great fr...

Camille Saint-Saëns wrote this sonata at the end of a very long career. It was originally meant to be part of a collection of six sonatas for various wind instruments. Unfortunately the composer died...

Wind, Earth, Water, Space and Fire: the titles of these five pieces for clarinet solo lead the instrumentalist to explore different sound possibilities and means of expression. Wind, for example, evok...

This edition of the Concerto for piano in E flat major is based on the manuscript D-11708 (1) of the Bibliothèque nationale de France. The manuscript bundle comprises the individual parts for piano an...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...

Faced with the evolution of the symphony prompted by Beethoven at the beginning of the 19th century, many composers turned away from this genre, considering his nine symphonies as an unsurpassable ide...