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Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
- Flute and Piano
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Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
- Flute and Piano
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Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
- Flute
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Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
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These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
- Flute and Piano
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These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
- Flute and Piano
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...que no haya salida (...that there is no way out) uses the thematic of my work for flute and organ 'Laberinto' (1992 - Editions Bim), composed under the culturel shock caused by my move from South A...
...que no haya salida (...that there is no way out) uses the thematic of my work for flute and organ 'Laberinto' (1992 - Editions Bim), composed under the culturel shock caused by my move from South A...
- Alto Flute and Guitar
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- Flute Quartet
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- Flute Quartet
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Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
- Flute and Harpsichord
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Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
- Flute and Harpsichord
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This work was originally composed in 1978 for the flute virtuoso Manuela Wiesler. It was partially inspired by a story from Greek mythology by the name of Itys, and was written in both proportional an...
This work was originally composed in 1978 for the flute virtuoso Manuela Wiesler. It was partially inspired by a story from Greek mythology by the name of Itys, and was written in both proportional an...
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This work was originally composed in 1978 for the flute virtuoso Manuela Wiesler. It was partially inspired by a story from Greek mythology by the name of Itys, and was written in both proportional an...
This work was originally composed in 1978 for the flute virtuoso Manuela Wiesler. It was partially inspired by a story from Greek mythology by the name of Itys, and was written in both proportional an...
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Richard Lane composed most of his 500 or so works for his circle of musician friends and each piece reflects the affection and admiration he felt for each of them. This little suite for flute and guit...
Richard Lane composed most of his 500 or so works for his circle of musician friends and each piece reflects the affection and admiration he felt for each of them. This little suite for flute and guit...
- Flute and Guitar
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- Women's Choir (SSAA)
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Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
- Women's Choir
- Choral Score
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Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
- Women's Choir
- Choral Score Download
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Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
- Women's Choir (SSAA)
- Choral Score
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Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
- Women's Choir (SSAA)
- Choral Score Download
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Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
- Women's Choir and Harp
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Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
- Women's Choir and Harp
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The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...
The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...
- Women's Choir (SA), 2 Horns and Harp
- Choral Score Download
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Musical comedy, 6 solo voices and orchestra Exact instrumentation: 6 solo singers (Goose, Peacock, Raven, Hare, Cock, Fox). Orchestra: 1.(+ picc.).1(+ EH).2(+ Eb-Kl. / + BKl.).1(+ Kfg.) - 1.1.0.0. - T...
Musical comedy, 6 solo voices and orchestra Exact instrumentation: 6 solo singers (Goose, Peacock, Raven, Hare, Cock, Fox). Orchestra: 1.(+ picc.).1(+ EH).2(+ Eb-Kl. / + BKl.).1(+ Kfg.) - 1.1.0.0. - T...
- Soloists
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1 C'est un vieux banc sur la colline, Les moineaux vont s'y réchauffer Quand le soleil sur l'aubépine Chasse au loin gel et giboulées. Doux printemps d'aimer, ô, J'ai gravé nos coeurs pour toujours. L...
1 C'est un vieux banc sur la colline, Les moineaux vont s'y réchauffer Quand le soleil sur l'aubépine Chasse au loin gel et giboulées. Doux printemps d'aimer, ô, J'ai gravé nos coeurs pour toujours. L...
- Mixed Choir (SSTB)
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