Bärenreiter Urtext

Immerse yourself in the magnificent world of sacred vocal music: With "Warum toben die Heiden" (Psalm 2), the renowned Bärenreiter Verlag presents a masterful work for ambitious choirs. Scored for eig...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

Gemischter Chor (SSAATTBB)

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The "Gloria" RV 589(BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the "Gloria" as an ind...

Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...

Pergolesi's famous mass - for two or four choirs The Missa in F from 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra. The designation "Missa Romana" was...

> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...

> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...

> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...

Beethoven described the magnificent Missa solemnis as "my greatest work" and sold copies of the manuscript to some of his subscribers even before publication. This Urtext edition of the work takes all...

> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...

This choral score completes the performance material for the now well-established Urtext edition of Beethoven's Mass in C major.

Immediately after completing Paulus in 1836, Mendelssohn considered composing another oratorio. However, a whole decade was to pass before he composed 'Elijah', which is based on the story of the bibl...

The choral score of Felix Mendelssohn Bartholdy's oratorio "Elijah" op. 70 is published on the basis of the critical Urtext edition edited by Mendelssohn specialist Douglass Seaton. The setting of the...

With his oratorio »St. Paul« (Paulus) Op. 36, Felix Mendelssohn Bartholdy created one of the most moving and powerful sacred masterworks of the Romantic era. The work vividly portrays the dramatic con...

Felix Mendelssohn Bartholdy completed his first oratorio - "Paulus" op. 36 - in 1836 at the age of 27. The first version, which was premiered on May 22, 1836, underwent extensive revision. This second...

Ballad by Goethe for soloists, choir and orchestra - piano reduction by the composer Edited by John Michael Cooper Text by Johann Wolfgang von Goethe In the summer of 1799, Goethe wrote his ballad Th...

The setting of the 42nd Psalm 'Wie der Hirsch schreit nach frischem Wasser' op. 42 for soloists, choir and large orchestra was composed in 1837. For the present edition, the renowned Mendelssohn speci...

The setting of Psalm 98 was written within a few weeks as a commissioned composition in Mendelssohn's new position as Prussian General Music Director and was premiered by the Berlin Cathedral Choir on...

Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...