Advanced Classical Music of the Modern Age Sheet Music
Written between 1900 and 1901, Suite No. 2 was premiered in 1901 by Rachmaninoff and Alexander Siloti. This virtuosic suite is orchestral in nature and contains four movements. The first movement serv...
Written between 1900 and 1901, Suite No. 2 was premiered in 1901 by Rachmaninoff and Alexander Siloti. This virtuosic suite is orchestral in nature and contains four movements. The first movement serv...
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This impressive early advanced piano solo begins with a two-page introductory section that is reminiscent of the late Romantic piano writing of Rachmaninoff. Large chords and low octave pedal points c...
This impressive early advanced piano solo begins with a two-page introductory section that is reminiscent of the late Romantic piano writing of Rachmaninoff. Large chords and low octave pedal points c...
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- Alfred Publishing
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This impressive early advanced piano solo begins with a two-page introductory section that is reminiscent of the late Romantic piano writing of Rachmaninoff. Large chords and low octave pedal points c...
This impressive early advanced piano solo begins with a two-page introductory section that is reminiscent of the late Romantic piano writing of Rachmaninoff. Large chords and low octave pedal points c...
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- Alfred Publishing
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This solo begins in G minor with a bold chordal fanfare and sweeping arpeggios. The following lyrical section builds to a faster scherzo-like tempo with descending broken chords over a staccato bass....
This solo begins in G minor with a bold chordal fanfare and sweeping arpeggios. The following lyrical section builds to a faster scherzo-like tempo with descending broken chords over a staccato bass....
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- Alfred Publishing
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This solo begins in G minor with a bold chordal fanfare and sweeping arpeggios. The following lyrical section builds to a faster scherzo-like tempo with descending broken chords over a staccato bass....
This solo begins in G minor with a bold chordal fanfare and sweeping arpeggios. The following lyrical section builds to a faster scherzo-like tempo with descending broken chords over a staccato bass....
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- Alfred Publishing
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This set of five pieces reflects an intensely personal, realistic and sensitive portrayal of animal life, the sea and pastoral landscapes. Powerfully poetic and vividly descriptive, the music exhibits...
This set of five pieces reflects an intensely personal, realistic and sensitive portrayal of animal life, the sea and pastoral landscapes. Powerfully poetic and vividly descriptive, the music exhibits...
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- Nancy Bricard
- Alfred Publishing
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Dedicated to Gabriel Faure, Ravel prefaces this piece of 'liquid poetry' with a line by Henri de Regnier: 'The river god laughs at the water as it tickles him.' Ravel indicated that he wanted the work...
Dedicated to Gabriel Faure, Ravel prefaces this piece of 'liquid poetry' with a line by Henri de Regnier: 'The river god laughs at the water as it tickles him.' Ravel indicated that he wanted the work...
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- Maurice Hinson
- Alfred Publishing
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Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...
Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...
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- Martin Widmaier
- Bärenreiter Verlag
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Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...
Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...
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- Martin Widmaier
- Bärenreiter Verlag
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It was unmistakably Liszt's piano work "Les jeux d'eau à la Villa d'Este" that inspired Ravel to write one of his most famous works in 1901. The piece is formally conceived as a sonata form, dominated...
It was unmistakably Liszt's piano work "Les jeux d'eau à la Villa d'Este" that inspired Ravel to write one of his most famous works in 1901. The piece is formally conceived as a sonata form, dominated...
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- Bärenreiter Verlag
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Ravel's cycle of "Valses nobles et sentimentales" caused irritation at the anonymous premiere in 1911 at the Société nationale indépendante in Paris: many suspected Satie or even Kodály as the compose...
Ravel's cycle of "Valses nobles et sentimentales" caused irritation at the anonymous premiere in 1911 at the Société nationale indépendante in Paris: many suspected Satie or even Kodály as the compose...
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- Bärenreiter Verlag
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This effective, demanding work for piano solo captivates through its changes between twirling cascades and oases of tranquillity whereby the irridescent development focuses on central reference tones....
This effective, demanding work for piano solo captivates through its changes between twirling cascades and oases of tranquillity whereby the irridescent development focuses on central reference tones....
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- Bärenreiter Verlag
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- Bärenreiter Verlag
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Zsigmond Szathmáry was deeply impressed by the vibrant colors and expressiveness of the mosaic paintings in the apse and altar area of the late antique church of San Vitale in Ravenna. The composer wa...
Zsigmond Szathmáry was deeply impressed by the vibrant colors and expressiveness of the mosaic paintings in the apse and altar area of the late antique church of San Vitale in Ravenna. The composer wa...
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- Bärenreiter Verlag
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Louis Vierne war ein gefeierter Organist. Zeitlebens hat er sich aber auch intensiv spielend und komponierend mit dem Klavier auseinandergesetzt, für dessen klangliche Finesse und Reichtum er einen be...
Louis Vierne war ein gefeierter Organist. Zeitlebens hat er sich aber auch intensiv spielend und komponierend mit dem Klavier auseinandergesetzt, für dessen klangliche Finesse und Reichtum er einen be...
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Mit seinen zwischen 1914 und 1916 komponierten 'Douze Préludes' op. 36 und 'Trois Nocturnes' op. 35 knüpft Vierne an die romantische Klaviertradition an, lässt die historischen Modelle freilich in jen...
Mit seinen zwischen 1914 und 1916 komponierten 'Douze Préludes' op. 36 und 'Trois Nocturnes' op. 35 knüpft Vierne an die romantische Klaviertradition an, lässt die historischen Modelle freilich in jen...
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Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
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- Bärenreiter Verlag
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Scholarly-critical Urtext edition including the latest research findingsAll autograph sources consulted, including sketches and draftsFor students, pianists and teachersDetailed foreword (Ger/Eng) and...
Scholarly-critical Urtext edition including the latest research findingsAll autograph sources consulted, including sketches and draftsFor students, pianists and teachersDetailed foreword (Ger/Eng) and...
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- Sheet Music (Urtext)
- Bärenreiter Verlag
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Inspiriert wurde das Werk, das die Komponistin zu ihren Lieblingsstücken zählt, durch Biographie und Schaffen von Marguerite Duras. In deren gleichnamigem Theaterstück geht Anfang des 20. Jahrhunderts...
Inspiriert wurde das Werk, das die Komponistin zu ihren Lieblingsstücken zählt, durch Biographie und Schaffen von Marguerite Duras. In deren gleichnamigem Theaterstück geht Anfang des 20. Jahrhunderts...
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- Bote & Bock
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Marsyas is a character from Greek mythology. A master of the aulos, he was the adversary of the lyre-playing Apollo. When Apollo ordered musicians to accompany themselves when singing, Marsyas' fate w...
Marsyas is a character from Greek mythology. A master of the aulos, he was the adversary of the lyre-playing Apollo. When Apollo ordered musicians to accompany themselves when singing, Marsyas' fate w...
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This collection follows the tradition of important etude cycles, which are not so much about training pianistic technique, but rather explorations of composing for the piano, thus entering into a cont...
This collection follows the tradition of important etude cycles, which are not so much about training pianistic technique, but rather explorations of composing for the piano, thus entering into a cont...
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- Bote & Bock
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- M.P. Belaieff
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Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
- Piano and Orchestra
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Symphonic Dances was Rachmaninoff’s final major work. Inon Barnatan comments, A few years ago, I came across a unique recording from 1940: a rough, private capture of Rachmaninoff playing through his...
Symphonic Dances was Rachmaninoff’s final major work. Inon Barnatan comments, A few years ago, I came across a unique recording from 1940: a rough, private capture of Rachmaninoff playing through his...
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- Inon Barnatan
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Composer's note:When pianist Inon Barnatan asked me to write him a new work, he had a particular stipulation: that I somehow connect my piece with Ravel's Gaspard de la Nuit, which he would program al...
Composer's note:When pianist Inon Barnatan asked me to write him a new work, he had a particular stipulation: that I somehow connect my piece with Ravel's Gaspard de la Nuit, which he would program al...
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