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Mit seinen zwischen 1914 und 1916 komponierten 'Douze Préludes' op. 36 und 'Trois Nocturnes' op. 35 knüpft Vierne an die romantische Klaviertradition an, lässt die historischen Modelle freilich in jen...
Mit seinen zwischen 1914 und 1916 komponierten 'Douze Préludes' op. 36 und 'Trois Nocturnes' op. 35 knüpft Vierne an die romantische Klaviertradition an, lässt die historischen Modelle freilich in jen...
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No genre reflects Skrjabin's artistic evolution more vividly than his piano sonatas. Sonatas Nos. 6, 7 and 8 which are presented in this edition were written between 1911 and 1913, at times contempora...
No genre reflects Skrjabin's artistic evolution more vividly than his piano sonatas. Sonatas Nos. 6, 7 and 8 which are presented in this edition were written between 1911 and 1913, at times contempora...
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Auslöser für den 1874 komponierten Klavierzyklus 'Bilder einer Ausstellung' war die im gleichen Jahr veranstaltete Gedächtnisausstellung für den 1873 verstorbenen und mit dem Komponisten befreundeten...
Auslöser für den 1874 komponierten Klavierzyklus 'Bilder einer Ausstellung' war die im gleichen Jahr veranstaltete Gedächtnisausstellung für den 1873 verstorbenen und mit dem Komponisten befreundeten...
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Nach Schuberts bereits im großzügigen Neustich vorliegenden 'Moments Musicaux' (BA9647) und 'Impromptus' (BA9648) erscheinen nun auch seine späten Klavierstücke in einer modernen Ansprüchen genügenden...
Nach Schuberts bereits im großzügigen Neustich vorliegenden 'Moments Musicaux' (BA9647) und 'Impromptus' (BA9648) erscheinen nun auch seine späten Klavierstücke in einer modernen Ansprüchen genügenden...
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Meilenstein der Klavierliteratur Liszts 1854 erschienener Sonate in h-Moll kommt innerhalb der Gattung Klaviersonate überragende Bedeutung zu. Bärenreiter legt das Werk - nach wie vor pianistische Her...
Meilenstein der Klavierliteratur Liszts 1854 erschienener Sonate in h-Moll kommt innerhalb der Gattung Klaviersonate überragende Bedeutung zu. Bärenreiter legt das Werk - nach wie vor pianistische Her...
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Beethoven's 'Diabelli Variations', written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach's 'Goldberg Variations' form one of the most important contributions t...
Beethoven's 'Diabelli Variations', written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach's 'Goldberg Variations' form one of the most important contributions t...
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The only concerto for violoncello and orchestra by Josef Myslivecek (1737–1781) was written around 1770. It is most likely Myslivecek's own arrangement of his Violin Concerto No. 2, which he probably...
The only concerto for violoncello and orchestra by Josef Myslivecek (1737–1781) was written around 1770. It is most likely Myslivecek's own arrangement of his Violin Concerto No. 2, which he probably...
- Cello and Orchestra
- Piano reduction with part(s) (Urtext)
- Tomáš Jamník Vojtĕch Spurný
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This edition contains Couperin’s four 'Concerts royaux', which were published in 1722 as part of Book III of his 'Pièces de clavecin'. For the first time it makes these pieces, scored for chamber ense...
This edition contains Couperin’s four 'Concerts royaux', which were published in 1722 as part of Book III of his 'Pièces de clavecin'. For the first time it makes these pieces, scored for chamber ense...
- 1-2 Instruments, Bass Viol, Bassoon and Harpsichord
- Score and Parts (Urtext)
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Gran Partita - Serenade for 13 Instruments. Oboe (2), Clarinet in bb (2), Basset horn (2)/ Clarinet in bb, Horn (4), Bassoon (2), Double bass - set of parts; Urtext edition
Gran Partita - Serenade for 13 Instruments. Oboe (2), Clarinet in bb (2), Basset horn (2)/ Clarinet in bb, Horn (4), Bassoon (2), Double bass - set of parts; Urtext edition
- 2 Oboes, 2 Clarinets, 2 Basset Horns, 4 Horns, 2 Bassoons and Double Bass
- Set of Parts (Urtext)
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> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...
> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...
- Organ and Orchestra
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Urtext of the New Mozart Edition. Violin, Piano - playing score; single part; Urtext edition
Urtext of the New Mozart Edition. Violin, Piano - playing score; single part; Urtext edition
- Violin and Piano
- Instrumental Score & Parts (Urtext) (Download)
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Paganini's 24 'Capricci' form a coherent group of works that demands the highest technical standards. This scholarly-critical edition is based on the autograph and early printings by various European...
Paganini's 24 'Capricci' form a coherent group of works that demands the highest technical standards. This scholarly-critical edition is based on the autograph and early printings by various European...
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> Includes a comprehensive critical commentary (Fr/Eng/Ger) > Foreword (Fr/Eng/Ger) with details on performance practice > Numerous illustrations and facsimile pages Louis Vierne (1870-1937) was a pri...
> Includes a comprehensive critical commentary (Fr/Eng/Ger) > Foreword (Fr/Eng/Ger) with details on performance practice > Numerous illustrations and facsimile pages Louis Vierne (1870-1937) was a pri...
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> First evaluation of an extensive number of sources > With Couperin's original expression marks > Contains optimum page turns > Notes on performance practice, detailed trilingual Foreword (Fr/Eng) an...
> First evaluation of an extensive number of sources > With Couperin's original expression marks > Contains optimum page turns > Notes on performance practice, detailed trilingual Foreword (Fr/Eng) an...
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Following the first two volumes of the pioneering new edition, Bärenreiter now presents Couperin's 'Troisième livre' of the 'Pièces de clavecin' (1722) edited by Denis Herlin. In addition to the six '...
Following the first two volumes of the pioneering new edition, Bärenreiter now presents Couperin's 'Troisième livre' of the 'Pièces de clavecin' (1722) edited by Denis Herlin. In addition to the six '...
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Bohuslav Martinu composed his last stage work of the pre-war period, "Alexandre bis", in 1937 for the World Exhibition in Paris of the same year. The libretto for this chamber opera buffa for five peo...
Bohuslav Martinu composed his last stage work of the pre-war period, "Alexandre bis", in 1937 for the World Exhibition in Paris of the same year. The libretto for this chamber opera buffa for five peo...
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The premiere of Pietro Mascagni's "Cavalleria rusticana" in May 1890 is a milestone in the history of opera. It was a huge success, considered the beginning of verismo in opera and was praised for rev...
The premiere of Pietro Mascagni's "Cavalleria rusticana" in May 1890 is a milestone in the history of opera. It was a huge success, considered the beginning of verismo in opera and was praised for rev...
- Soloists (SSATB), Mixed Choir (SATB) and Orchestra
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Zweifellos ist 'Samson et Dalila' heute die bekannteste der dreizehn Opern von Camille Saint-Saëns, die wie wenige Stücke des französischen 19. Jahrhunderts im Repertoire der internationalen Bühnen pr...
Zweifellos ist 'Samson et Dalila' heute die bekannteste der dreizehn Opern von Camille Saint-Saëns, die wie wenige Stücke des französischen 19. Jahrhunderts im Repertoire der internationalen Bühnen pr...
- Solos, Mixed choir (SATB) and Orchestra
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- Fabien Guilloux Andreas Jacob
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Fauré's '13 Barcarolles', composed over a period of almost four decades (1882-1921), are highly representative of his piano oeuvre and are considered his most characteristic works. They reflect his mo...
Fauré's '13 Barcarolles', composed over a period of almost four decades (1882-1921), are highly representative of his piano oeuvre and are considered his most characteristic works. They reflect his mo...
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Bach's 'Goldberg Variations' remain a fundamental challenge for every harpsichordist and pianist to this day. The fact that Bach intended the work to be performed on a two-manual harpsichord poses a p...
Bach's 'Goldberg Variations' remain a fundamental challenge for every harpsichordist and pianist to this day. The fact that Bach intended the work to be performed on a two-manual harpsichord poses a p...
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Beethoven's Sonata in C minor, his first great sonata and exemplary for the type of characteristic sonata of the late 18th century, has lost none of its fascination to this day due to its passionate p...
Beethoven's Sonata in C minor, his first great sonata and exemplary for the type of characteristic sonata of the late 18th century, has lost none of its fascination to this day due to its passionate p...
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The Sonata in F minor op. 57 (1804/05) was not given the nickname "Appassionata" until 1838, long after Beethoven's death. Jonathan Del Mar now offers an Urtext edition whose principles are revealed i...
The Sonata in F minor op. 57 (1804/05) was not given the nickname "Appassionata" until 1838, long after Beethoven's death. Jonathan Del Mar now offers an Urtext edition whose principles are revealed i...
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Schubert composed his great A major Sonata a few months before his early death in 1828. With its balance of lyrical melody, intimate feeling and pianistic brilliance, not least thanks to its poetic "A...
Schubert composed his great A major Sonata a few months before his early death in 1828. With its balance of lyrical melody, intimate feeling and pianistic brilliance, not least thanks to its poetic "A...
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As early evidence of Schubert's preoccupation with early music, his Fantasy in C D 2 E from 1811 contains echoes of Mozart's C minor Fantasy, while the virtuoso Graz Fantasy in C D 605 A, probably com...
As early evidence of Schubert's preoccupation with early music, his Fantasy in C D 2 E from 1811 contains echoes of Mozart's C minor Fantasy, while the virtuoso Graz Fantasy in C D 605 A, probably com...
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Schubert's great C minor Sonata D 958 was composed in 1828, a few months before his death, at the same time as the late sonatas in A D 959 and in B flat D 960. The three works, conceived by Schubert a...
Schubert's great C minor Sonata D 958 was composed in 1828, a few months before his death, at the same time as the late sonatas in A D 959 and in B flat D 960. The three works, conceived by Schubert a...
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