Advanced Sheet Music from Bärenreiter Verlag

Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...

From the House of the Dead (1928) is Janácek's last operatic work. The libretto was written by the composer himself after F. M. Dostoevsky's "Notes from the House of the Dead". The critical edition pu...

Leoš Janácek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlídek, in January 1922. The first copy of the score, since lost, was comple...

Klagelieder des Jeremias für 4-9stimmigen Chor (lateinisch). Gemischter Chor - Singpartitur

World premiere on October 5, 1958 in Kassel, Kasseler Musiktage: Martinskirche, NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg.

Gemischter Chor-SATB - Singpartitur

Sonett (4-7stimmig) aus der Litanei des John Donne (englisch, deutsche Übersetzung beigegeben). Gemischter Chor-SATB - Singpartitur

World premiere on May 3, 1965 in Berlin, 18th International Heinrich Schütz Festival "Encounters across borders": NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg

Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur

Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur

Die recht umfangreiche und ungewöhnlich reich besetzte 'Missa Divi Xaverii' ZWV 12 von Jan Dismas Zelenka (1679-1745) entstand 1729 während seiner Wirkungszeit am Dresdner Hof und gehört zu den Höhepu...

Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...

Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...

It was unmistakably Liszt's piano work "Les jeux d'eau à la Villa d'Este" that inspired Ravel to write one of his most famous works in 1901. The piece is formally conceived as a sonata form, dominated...

Ravel's cycle of "Valses nobles et sentimentales" caused irritation at the anonymous premiere in 1911 at the Société nationale indépendante in Paris: many suspected Satie or even Kodály as the compose...

Piano music is of central importance in Fauré's oeuvre. He dedicated his "Ballade", composed in 1879, to his teacher Camille Saint-Saëns. It breaks with the epic form of the genre both through its lyr...

Fauré's four "Valses-Caprices" (1882/83-1894) (BA 10843) reflect various forms of his exploration of the waltz in connection with the free form of the caprice. The composer therefore received inspirat...

With the two sonatas of his Opus 27, Beethoven broke new formal ground at the beginning of the 19th century. Each named Sonata quasi una Fantasia, the second in particular became immortal under its la...

Beethoven's final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment...

Beethoven's last three piano sonatas have always exerted a great fascination. With the Sonata op. 109, composed in 1820, Beethoven opens the door to the future - through the highest expressivity, the...

Composed in 1803/04, Beethoven's Sonata in C major op. 53 marks his move towards a large-scale, symphonic piano movement. The highly virtuosic work, which Beethoven dedicated to his friend and patron...

> Urtext performance edition at the cutting edge of scholarship > Optimal page turns > Informative Introduction > Valuable suggestions on period performance practice (Eng/Ger) > Detailed Critical Comm...