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Volume III of Schubert's piano sonatas brings together the song-like, dance-like "Fantasy Sonata" in G major D 894 (1827) and the three large sonatas in C minor, A major and B flat major (D 958, 959 a...
Volume III of Schubert's piano sonatas brings together the song-like, dance-like "Fantasy Sonata" in G major D 894 (1827) and the three large sonatas in C minor, A major and B flat major (D 958, 959 a...
- Piano
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In December 1818, the Viennese music publisher Pietro Cappi announced the founding of a new publishing house with his business partner Anton Diabelli. The new company Cappi & Diabelli proved to have a...
In December 1818, the Viennese music publisher Pietro Cappi announced the founding of a new publishing house with his business partner Anton Diabelli. The new company Cappi & Diabelli proved to have a...
- Piano
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The French composer Camille Saint-Saëns enriched the musical world with a large number of masterpieces for the violoncello, including concertos, sonatas and miniatures such as "The Swan" and the "Alle...
The French composer Camille Saint-Saëns enriched the musical world with a large number of masterpieces for the violoncello, including concertos, sonatas and miniatures such as "The Swan" and the "Alle...
- Cello and Piano
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“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...
“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...
- Orchestra
- Score (Urtext)
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Even in antiquity, language and music were one and the same: Homer's epics were sung and, thanks to the highly developed art of oratory (rhetorica), words appealed to reason and music to the soul. Fro...
Even in antiquity, language and music were one and the same: Homer's epics were sung and, thanks to the highly developed art of oratory (rhetorica), words appealed to reason and music to the soul. Fro...
- Violin
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Bärenreiter is now publishing the 2nd volume of "Pièces de clavecin" by Francois Couperin, with the eight Préludes and an Allemande from Couperin's treatise "L'Art de toucher le clavecin" in the appen...
Bärenreiter is now publishing the 2nd volume of "Pièces de clavecin" by Francois Couperin, with the eight Préludes and an Allemande from Couperin's treatise "L'Art de toucher le clavecin" in the appen...
- Harpsichord
- Sheet Music Download (Urtext)
- Denis Herlin
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Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...
Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...
- Soloists, Mixed Choir and Orchestra
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From the House of the Dead (1928) is Janácek's last operatic work. The libretto was written by the composer himself after F. M. Dostoevsky's "Notes from the House of the Dead". The critical edition pu...
From the House of the Dead (1928) is Janácek's last operatic work. The libretto was written by the composer himself after F. M. Dostoevsky's "Notes from the House of the Dead". The critical edition pu...
- Soloists, Choir and Orchestra
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Leoš Janácek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlídek, in January 1922. The first copy of the score, since lost, was comple...
Leoš Janácek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlídek, in January 1922. The first copy of the score, since lost, was comple...
- Soloists, Female Choir (SA), Mixed Choir (SAATTBB) and Orchestra
- Score (Urtext)
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Klagelieder des Jeremias für 4-9stimmigen Chor (lateinisch). Gemischter Chor - Singpartitur
Klagelieder des Jeremias für 4-9stimmigen Chor (lateinisch). Gemischter Chor - Singpartitur
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World premiere on October 5, 1958 in Kassel, Kasseler Musiktage: Martinskirche, NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg.
World premiere on October 5, 1958 in Kassel, Kasseler Musiktage: Martinskirche, NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg.
- Mixed Choir (SATB)
- Choral Score Download
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Gemischter Chor-SATB - Singpartitur
- Mixed Choir (SATB)
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Sonett (4-7stimmig) aus der Litanei des John Donne (englisch, deutsche Übersetzung beigegeben). Gemischter Chor-SATB - Singpartitur
Sonett (4-7stimmig) aus der Litanei des John Donne (englisch, deutsche Übersetzung beigegeben). Gemischter Chor-SATB - Singpartitur
- Mixed Choir (SATB)
- Choral Score
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World premiere on May 3, 1965 in Berlin, 18th International Heinrich Schütz Festival "Encounters across borders": NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg
World premiere on May 3, 1965 in Berlin, 18th International Heinrich Schütz Festival "Encounters across borders": NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg
- Mixed Choir (SATB)
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Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur
Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur
- Mixed Choir (SATB) and Men's Chorus (TTB)
- Choral Score
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Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur
Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur
- Mixed Choir (SATB) and Men's Chorus (TTB)
- Choral Score Download
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Die recht umfangreiche und ungewöhnlich reich besetzte 'Missa Divi Xaverii' ZWV 12 von Jan Dismas Zelenka (1679-1745) entstand 1729 während seiner Wirkungszeit am Dresdner Hof und gehört zu den Höhepu...
Die recht umfangreiche und ungewöhnlich reich besetzte 'Missa Divi Xaverii' ZWV 12 von Jan Dismas Zelenka (1679-1745) entstand 1729 während seiner Wirkungszeit am Dresdner Hof und gehört zu den Höhepu...
- Soloist, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Pablo Kornfeld
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- Organ
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- Organ
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- Classical Guitar
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Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...
Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...
- Piano
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- Martin Widmaier
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Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...
Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...
- Piano
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- Martin Widmaier
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It was unmistakably Liszt's piano work "Les jeux d'eau à la Villa d'Este" that inspired Ravel to write one of his most famous works in 1901. The piece is formally conceived as a sonata form, dominated...
It was unmistakably Liszt's piano work "Les jeux d'eau à la Villa d'Este" that inspired Ravel to write one of his most famous works in 1901. The piece is formally conceived as a sonata form, dominated...
- Piano
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Ravel's cycle of "Valses nobles et sentimentales" caused irritation at the anonymous premiere in 1911 at the Société nationale indépendante in Paris: many suspected Satie or even Kodály as the compose...
Ravel's cycle of "Valses nobles et sentimentales" caused irritation at the anonymous premiere in 1911 at the Société nationale indépendante in Paris: many suspected Satie or even Kodály as the compose...
- Piano
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Piano music is of central importance in Fauré's oeuvre. He dedicated his "Ballade", composed in 1879, to his teacher Camille Saint-Saëns. It breaks with the epic form of the genre both through its lyr...
Piano music is of central importance in Fauré's oeuvre. He dedicated his "Ballade", composed in 1879, to his teacher Camille Saint-Saëns. It breaks with the epic form of the genre both through its lyr...
- Piano
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