Advanced Sheet Music from Bärenreiter Verlag

The pianist Christian Köhn, who is very familiar with Brahms' piano works, has now published a new edition of these variations on the eight-bar theme from Handel's Suite No. 1 ("Suite de pièces de Cla...

Hardly any piano cycle exerts such a magical attraction as Chopin's 24 "Préludes" published in 1839. Schumann described them as "sketches, the beginnings of etudes, [...] ruins, individual eagle's fea...

Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...

Volume III of Schubert's piano sonatas brings together the song-like, dance-like "Fantasy Sonata" in G major D 894 (1827) and the three large sonatas in C minor, A major and B flat major (D 958, 959 a...

In December 1818, the Viennese music publisher Pietro Cappi announced the founding of a new publishing house with his business partner Anton Diabelli. The new company Cappi & Diabelli proved to have a...

The French composer Camille Saint-Saëns enriched the musical world with a large number of masterpieces for the violoncello, including concertos, sonatas and miniatures such as "The Swan" and the "Alle...

“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...

Even in antiquity, language and music were one and the same: Homer's epics were sung and, thanks to the highly developed art of oratory (rhetorica), words appealed to reason and music to the soul. Fro...

Bärenreiter is now publishing the 2nd volume of "Pièces de clavecin" by Francois Couperin, with the eight Préludes and an Allemande from Couperin's treatise "L'Art de toucher le clavecin" in the appen...

Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...

From the House of the Dead (1928) is Janácek's last operatic work. The libretto was written by the composer himself after F. M. Dostoevsky's "Notes from the House of the Dead". The critical edition pu...

Leoš Janácek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlídek, in January 1922. The first copy of the score, since lost, was comple...

Klagelieder des Jeremias für 4-9stimmigen Chor (lateinisch). Gemischter Chor - Singpartitur

World premiere on October 5, 1958 in Kassel, Kasseler Musiktage: Martinskirche, NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg.

Gemischter Chor-SATB - Singpartitur

Sonett (4-7stimmig) aus der Litanei des John Donne (englisch, deutsche Übersetzung beigegeben). Gemischter Chor-SATB - Singpartitur

World premiere on May 3, 1965 in Berlin, 18th International Heinrich Schütz Festival "Encounters across borders": NCRV Vocaal Ensemble Hilversum, conducted by Marinus Voorberg

Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur

Gemischter Chor (deutsch), Männerchor (lateinisch), Solofrauenstimme ad lib. Gemischter Chor-SATB, Männerchor-1stg, Sopran solo ad lib. - Singpartitur

Die recht umfangreiche und ungewöhnlich reich besetzte 'Missa Divi Xaverii' ZWV 12 von Jan Dismas Zelenka (1679-1745) entstand 1729 während seiner Wirkungszeit am Dresdner Hof und gehört zu den Höhepu...

Bring festive splendor to any church or concert hall with the majestic 'Final Te Deum for Organ'. This powerful organ work captures the sublime praise of the traditional Te Deum in all its glory, unle...

Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...

Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...