Advanced Sheet Music from G. Henle Verlag
The first book of Albéniz' four-part cycle 'Iberia' has already been published in an acclaimed Henle Urtext edition and many pianists are now eagerly awaiting the remaining ones. The second book in th...
The first book of Albéniz' four-part cycle 'Iberia' has already been published in an acclaimed Henle Urtext edition and many pianists are now eagerly awaiting the remaining ones. The second book in th...
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Carl Czerny wrote the following about Ludwig van Beethoven's 'Grande Sonate' op. 7, published in 1797: 'The epithet appassionata would fit much better to the Sonata in E flat op. 7, which he wrote in...
Carl Czerny wrote the following about Ludwig van Beethoven's 'Grande Sonate' op. 7, published in 1797: 'The epithet appassionata would fit much better to the Sonata in E flat op. 7, which he wrote in...
- Piano
- Sheet Music (Urtext)
- Murray Perahia
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The sounds made by water - those of fountains, waterfalls and streams - were a popular subject in musical impressionism. Liszt had already explored this in his 'Jeux d'eaux à la Villa d'Este', and it...
The sounds made by water - those of fountains, waterfalls and streams - were a popular subject in musical impressionism. Liszt had already explored this in his 'Jeux d'eaux à la Villa d'Este', and it...
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Miroirs' - Ravel dedicated each of these five piano pieces to a member of the Parisian artistic circle 'Les Apaches'. Ravel also belonged to this circle of poets, painters and musicians, giving first...
Miroirs' - Ravel dedicated each of these five piano pieces to a member of the Parisian artistic circle 'Les Apaches'. Ravel also belonged to this circle of poets, painters and musicians, giving first...
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A collection of prose poems by the French Romantic Aloysius Bertrand inspired Ravel to write his piano cycle 'Gaspard de la nuit'. Unlike earlier works he does not merely create an atmospheric depicti...
A collection of prose poems by the French Romantic Aloysius Bertrand inspired Ravel to write his piano cycle 'Gaspard de la nuit'. Unlike earlier works he does not merely create an atmospheric depicti...
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When Chopin gave his Opus 23 the title 'Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg....
When Chopin gave his Opus 23 the title 'Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg....
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A further edition in our highly regarded Beethoven revisions bears witness to our fruitful collaboration with the renowned artist Murray Perahia. This time the established editorial team Gertsch/Perah...
A further edition in our highly regarded Beethoven revisions bears witness to our fruitful collaboration with the renowned artist Murray Perahia. This time the established editorial team Gertsch/Perah...
- Piano
- Sheet Music (Urtext)
- Murray Perahia
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Chopin's circumstances were rather strained in 1845, so that a planned trip to Italy with George Sand looked as if it would fall through. Yet with his 'Barcarolle' he immersed himself in the atmospher...
Chopin's circumstances were rather strained in 1845, so that a planned trip to Italy with George Sand looked as if it would fall through. Yet with his 'Barcarolle' he immersed himself in the atmospher...
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Unlike some of his other late works, Franck's Violin Sonata (HN 293), composed in 1886, was well-received by the public and critics from the very start. The beautiful arrangement for cello published i...
Unlike some of his other late works, Franck's Violin Sonata (HN 293), composed in 1886, was well-received by the public and critics from the very start. The beautiful arrangement for cello published i...
- Cello and Piano
- Sheet Music (Urtext)
- Christian Poltéra, Klaus Schilde
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Bach had a predilection for creating solo works for instruments that were more usually supplied with a keyboard accompaniment. It is thus only logical that, as well as the violin and cello, he also th...
Bach had a predilection for creating solo works for instruments that were more usually supplied with a keyboard accompaniment. It is thus only logical that, as well as the violin and cello, he also th...
- Flute
- Sheet Music (Urtext)
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For whom did Carl Philipp Emanuel Bach write his solo sonata? Time and again, the Prussian King Frederick II has been brought into play as the sonata's addressee. Bach, however, would not have made mu...
For whom did Carl Philipp Emanuel Bach write his solo sonata? Time and again, the Prussian King Frederick II has been brought into play as the sonata's addressee. Bach, however, would not have made mu...
- Flute
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Additional Flute Part for HN957.
Additional Flute Part for HN957.
- Violin, Cello and Piano
- Instrumental Part: Flute (Urtext)
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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch's First Violin Concerto in g minor. Now it's appearing at last in an urtext edition from Henle....
It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch's First Violin Concerto in g minor. Now it's appearing at last in an urtext edition from Henle....
- Violin and Piano
- Piano Reduction (Urtext)
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> One of Ravel's best-known piano pieces > Technically and musically charming genre scene > Single edition from HN842 In his 'Autobiographical Sketch' Ravel looks back and stresses the importance of h...
> One of Ravel's best-known piano pieces > Technically and musically charming genre scene > Single edition from HN842 In his 'Autobiographical Sketch' Ravel looks back and stresses the importance of h...
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Widor's name is so closely associated with organ music that his extensive output for other instruments is easily overlooked. Within chamber music, the Suite for flute and piano, probably written in 18...
Widor's name is so closely associated with organ music that his extensive output for other instruments is easily overlooked. Within chamber music, the Suite for flute and piano, probably written in 18...
- Piano
- Sheet Music (Urtext)
- Klaus Schilde
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In the 19th century, Nicolò Paganini was the embodiment of the virtuoso. Many composers used his musical themes for their own creative work. Johannes Brahms likewise did not hesitate to use a work by...
In the 19th century, Nicolò Paganini was the embodiment of the virtuoso. Many composers used his musical themes for their own creative work. Johannes Brahms likewise did not hesitate to use a work by...
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Scriabin's Tenth Sonata was composed at the same time as the two Sonatas Nos. 8 and 9 in winter 1912/13. It was probably finished at the latest in June 1913. According to Leonid Sabanejev's reminiscen...
Scriabin's Tenth Sonata was composed at the same time as the two Sonatas Nos. 8 and 9 in winter 1912/13. It was probably finished at the latest in June 1913. According to Leonid Sabanejev's reminiscen...
- Piano
- Sheet Music (Urtext)
- Michael Schneidt
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Bach's death meant that the Art of Fugue was left unfinished. In his father's manuscriptCarl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: 'While working on this fu...
Bach's death meant that the Art of Fugue was left unfinished. In his father's manuscriptCarl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: 'While working on this fu...
- Piano
- Study Score
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Liszt's most important piano work was written in 1853, during a time of great compositional productivity and at the same time as the Ballade in B minor. It has something in common with the latter work...
Liszt's most important piano work was written in 1853, during a time of great compositional productivity and at the same time as the Ballade in B minor. It has something in common with the latter work...
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During Joseph Haydn's lifetime, concertos for solo instruments and ensemble were generally written for a particular musician. In the case of Haydn's violoncello Concerto in D major Hob.VII:2, this per...
During Joseph Haydn's lifetime, concertos for solo instruments and ensemble were generally written for a particular musician. In the case of Haydn's violoncello Concerto in D major Hob.VII:2, this per...
- Cello and Piano
- Piano Reduction (Urtext)
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Good intentions are simply not good enough (to freely paraphrase Kurt Tucholsky): the arpeggione, a kind of hybrid instrument like a large bowed guitar, never won acceptance among musicians. This curi...
Good intentions are simply not good enough (to freely paraphrase Kurt Tucholsky): the arpeggione, a kind of hybrid instrument like a large bowed guitar, never won acceptance among musicians. This curi...
- Cello and Piano
- Sheet Music (Urtext)
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Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the 'more progressive' Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schön...
Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the 'more progressive' Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schön...
- String Quartet (2 Violins, Viola and Cello)
- Study Score (Urtext)
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Fingering: Michael Schneidt Scriabin's ten complete piano sonatas offer a fascinating insight into the Russian composer's stylistic development. While his first works still fully reflect the late-roma...
Fingering: Michael Schneidt Scriabin's ten complete piano sonatas offer a fascinating insight into the Russian composer's stylistic development. While his first works still fully reflect the late-roma...
- Piano
- Sheet Music (Urtext)
- Michael Schneidt
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With his Études-Tableaux, Rachmaninoff continued along the path that Chopin and Liszt had set with their concert etudes: the most demanding technical tasks are presented in the form of expressive char...
With his Études-Tableaux, Rachmaninoff continued along the path that Chopin and Liszt had set with their concert etudes: the most demanding technical tasks are presented in the form of expressive char...
- Piano
- Sheet Music (Urtext)
- Marc-André Hamelin
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An ancient melody, probably from the 16th century, is the basis for Grieg's op. 24. This 'Ballade in Variation Form' was written in winter and spring 1875/76, in the months following his parents' deat...
An ancient melody, probably from the 16th century, is the basis for Grieg's op. 24. This 'Ballade in Variation Form' was written in winter and spring 1875/76, in the months following his parents' deat...
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