Barbershop Sheet Music for Mixed Voices

Trompete (2), Posaune (2) - Bläserpartitur

The album for mixed choir and piano with a selection of choruses from Italian, French, German, English and Russian operas of the 17th-19th centuries provides an insight into the diversity of this genr...

Arranged for soloists, choir and organ.

Arranged for soloists, choir and organ.

Experience one of the most moving and monumental masterpieces of vocal music: The "Messa da Requiem" combines dramatic power, profound sorrow, and heavenly moments of solace with incomparable intensit...

Gemischter Chor, Basso continuo - Partitur; Urtextausgabe

Orgel, Gemischter Chor (SATB) - Klavierauszug; Urtextausgabe

Unlike the other organ concertos, the organ concerto HWV 292 was not written as a transcription of a version for another solo instrument, but was conceived from the outset as part of the oratorio "Ath...

'De sancto Pelagio et sancto Theodolo' is a transcription of a composition originally conceived for choir and large orchestra. The texts, which stem from the liturgical chants 'Cantionale' by Thomas K...

Stillae was commissioned by the Dortmund Choir Academy's youth concert choir, which won first prize in the 2018 Mårten Jansson Choir Competition. The text is by the American poet Charles Anthony Silve...

Charles Gounod's international renown is based on the success of his opera 'Faust' after Goethe's drama: The aging Faust makes a pact with the devil. He sells his soul to Mephistopheles and in return...

The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...

The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...

7SSolo/4TSolo/3BSolo/GemCh: SSATTB/MCh: TTBBB/Orch

Bass solo, Sopran solo, Alt solo, Alt solo, Gemischter Chor, Orchester

To this day, neither a historical nor a modern edition of this pretty one-act opera by Rameau, which was premiered in 1754 at the Fontainebleau Theatre, exists. The patchy source material made it nece...

Die erste Fassung von 'Dardanus', die Ende 1739 zur Aufführung kam, entstand offenbar innerhalb von nur sechs Monaten und markiert in Rameaus Laufbahn eine besonders produktive Phase: In einem Zeitrau...

Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it poss...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...