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Robert Schumann's Concerto for Violoncello and Orchestra is the first major Romantic work in this genre that was not composed by a cellist. Nevertheless, Schumann, who worked on this late composition...
Robert Schumann's Concerto for Violoncello and Orchestra is the first major Romantic work in this genre that was not composed by a cellist. Nevertheless, Schumann, who worked on this late composition...
- Cello and Orchestra
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The "Prélude à l'après-midi d'un faune" is often described as the first composition of modernism and is one of Debussy's most popular and most frequently performed orchestral works. The piece has surv...
The "Prélude à l'après-midi d'un faune" is often described as the first composition of modernism and is one of Debussy's most popular and most frequently performed orchestral works. The piece has surv...
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Pygmalion is the earliest one-act ballet, introduced by an overture, that was created for the Académie royale de musique. With this piece, Rameau turned to the form of the "petit opéra". From its firs...
Pygmalion is the earliest one-act ballet, introduced by an overture, that was created for the Académie royale de musique. With this piece, Rameau turned to the form of the "petit opéra". From its firs...
- Soloists (SSST), Mixed Choir (SATB) and Orchestra
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- François Saint-Yves
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Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent genre of ballet opera, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often re...
Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent genre of ballet opera, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often re...
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For the birth of Xavier Marie Joseph in 1753, the second son of the Dauphin Louis de Bourbon and his wife Marie-Josephin, the royal family organized a grand celebration and commissioned their court co...
For the birth of Xavier Marie Joseph in 1753, the second son of the Dauphin Louis de Bourbon and his wife Marie-Josephin, the royal family organized a grand celebration and commissioned their court co...
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Orchestra - Critical report
- Orchestra
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (3), Trumpet (2), Timpani, Strings - Score; Urtext edition
Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (3), Trumpet (2), Timpani, Strings - Score; Urtext edition
- Orchestra
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Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Kritischer Bericht
Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Kritischer Bericht
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Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Posaune (2), Pauke, Streicher - Kritischer Bericht
Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Posaune (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (2), Trumpet (2), Timpani, Strings - Score; Urtext edition
Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (2), Trumpet (2), Timpani, Strings - Score; Urtext edition
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe
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Beethovens Konzert für Violine und Orchester ist eines der berühmtesten Werke der Musikgeschichte. Es ist in den letzten 150 Jahren in zahlreichen Editionen erschienen, von denen bis heute keine diese...
Beethovens Konzert für Violine und Orchester ist eines der berühmtesten Werke der Musikgeschichte. Es ist in den letzten 150 Jahren in zahlreichen Editionen erschienen, von denen bis heute keine diese...
- Violin and Orchestra
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Jonathan Del Mar, who has already made a name for himself with his successful Beethoven editions, now turns his attention to Beethoven's piano concertos. nIn the composer's first piano concerto, Del M...
Jonathan Del Mar, who has already made a name for himself with his successful Beethoven editions, now turns his attention to Beethoven's piano concertos. nIn the composer's first piano concerto, Del M...
- Piano and Orchestra
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Although the sources for Beethoven's Piano Concerto op. 19 are generally known, the present edition has eliminated numerous misunderstandings and misinterpretations. To this day, no edition of the wor...
Although the sources for Beethoven's Piano Concerto op. 19 are generally known, the present edition has eliminated numerous misunderstandings and misinterpretations. To this day, no edition of the wor...
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Beethoven's Third Piano Concerto is the only one for which no authentic manuscript of the solo part has survived. The autograph score has survived, although articulation, dynamic and pedal markings ar...
Beethoven's Third Piano Concerto is the only one for which no authentic manuscript of the solo part has survived. The autograph score has survived, although articulation, dynamic and pedal markings ar...
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The autograph score of Beethoven's Fourth Piano Concerto is lost. Only two authentic sources were available for every new edition published over the years: a copyist's copy of the score with Beethoven...
The autograph score of Beethoven's Fourth Piano Concerto is lost. Only two authentic sources were available for every new edition published over the years: a copyist's copy of the score with Beethoven...
- Piano and Orchestra
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The fifth and final concerto of Beethoven's piano concertos is also their climax and reflects all the composer's skill and experience. The surviving manuscripts provide an excellent insight into Beeth...
The fifth and final concerto of Beethoven's piano concertos is also their climax and reflects all the composer's skill and experience. The surviving manuscripts provide an excellent insight into Beeth...
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