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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht

Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe

Beethovens Konzert für Violine und Orchester ist eines der berühmtesten Werke der Musikgeschichte. Es ist in den letzten 150 Jahren in zahlreichen Editionen erschienen, von denen bis heute keine diese...

Jonathan Del Mar, who has already made a name for himself with his successful Beethoven editions, now turns his attention to Beethoven's piano concertos. nIn the composer's first piano concerto, Del M...

Although the sources for Beethoven's Piano Concerto op. 19 are generally known, the present edition has eliminated numerous misunderstandings and misinterpretations. To this day, no edition of the wor...

Beethoven's Third Piano Concerto is the only one for which no authentic manuscript of the solo part has survived. The autograph score has survived, although articulation, dynamic and pedal markings ar...

The autograph score of Beethoven's Fourth Piano Concerto is lost. Only two authentic sources were available for every new edition published over the years: a copyist's copy of the score with Beethoven...

The fifth and final concerto of Beethoven's piano concertos is also their climax and reflects all the composer's skill and experience. The surviving manuscripts provide an excellent insight into Beeth...

Klav-solo/V-solo/Vc-solo/Fl/2Ob/2Klar/2Fag/2Hn/2 Trp-Cl/Pk/2V/Va/Vc/KB

Edward Elgar's famous "Enigma" Variations were composed between 1898 and 1899 and are a collection of variations on a theme of his own. Each of the variations is dedicated to a close friend of the com...

2Fl/2Ob/2Clar/2Fag/4Hn/2Trp/Pk/2V/Va/Vc/KB

Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...

Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...

Oboe 1, Oboe 2, Horn 1, Horn 2, Streicher - Partitur; Urtextausgabe

Composed in London towards the end of 1824, this duet is one of the few chamber music works by Rossini that is still regularly performed today. It is an easy and charming composition, but requires exp...

Vladimir Bodunov arranges the most beautiful melodies from the Baroque, Classical and Romantic periods for violin and viola. Both players have equal rights, the soloist and accompanist roles change co...

New material for young string formations, presented by George Speckert, the master arranger for amateur orchestras. Each of the 27 short and very short character pieces already evokes the unique mood...

Ludwig van Beethoven's overpowering shadow made many subsequent composers hesitate to venture into composing string quartets. Saint-Saëns was no exception here and wrote his two contributions to this...

Ludwig van Beethoven's overpowering shadow made many subsequent composers hesitate to venture into composing string quartets. Saint-Saëns was no exception here and wrote his two contributions to this...

When preparing his cello concerto for the publisher Breitkopf & Härtel, Robert Schumann had the idea of making an arrangement of the concerto for solo cello and string quartet in the tradition of arra...

When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic' style, quickly ach...

Dvorák composed his twelfth string quartet in F major op. 96, known as the "American", in just twelve days during his summer vacation in Spillville, Iowa, in June 1893. This incredibly cheerful quarte...