Baroque Sheet Music: Explore the Classics of a Golden Era

Ein feste Burg ist unser Gott BWV 80 (CV31080-00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, repr...

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...

There is hardly a work by a contemporary that Bach can be proven to have worked on as frequently and intensively as Keiser's "St. Mark Passion". There is evidence of a total of three performances, for...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, including in vespers on Marian feasts. Antonio Vivaldi's only setting of this vesper psalm has some special features: The work is...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

The two Magnificat compositions (C major, ZWV 107; D major, ZWV 108) are part of Zelenka's collection of well over 30 psalm and Magnificat settings for the Dresden Vespers services. In contrast to the...

The festive composition with its large orchestration for the time was performed for the first time on June 29, 1751 on the occasion of the consecration of the new Catholic Court Church in Dresden.

Venetian version The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl'Incurabili in Venice. As this was a musical training center for talented girls and young women, the vocal pa...

With the Missa Sancti Amandi, composed in 1776, Haydn created a festive mass "in pieno", i.e. scored for choir and orchestra without vocal soloists. Although very densely scored, this work is characte...

The fourth (or first) of the eleven Cannons Anthems with the text O sing unto the Lord, HWV 249b has a small instrumentation in comparison to the other anthems composed in Cannons. This practical edit...

Handel's Jubilate HWV 279 from Utrecht thrilled London audiences at its very first performance and continues to do so today in concert halls and churches around the world, partly due to its wide range...

The "Hallelujah" chorus from George Frideric Handel's masterpiece "Messiah" (HWV 56, No. 39) is unquestionably one of the most sublime and celebrated choral works in music history. With its stirring d...

Caccini's "Ave Maria" is a fine alternative to the even more famous pieces by Bach/Gounod and Schubert. It captivates with its successful mixture of powerful forward momentum, formal clarity, harmonic...

Alto Saxophone & Strings

Alto Saxophone & Strings

Bassoon & Strings

Bassoon & Strings